This unusual book explores the historical assumptions at work in the style of literary criticism that came to dominate English studies in the twentieth century. Stefan Collini shows how the work of critics renowned for their close attention to 'the words on the page' was in practice bound up with claims about the nature and direction of historical change, the interpretation of the national past, and the scholarship of earlier historians. Among the major figures examined in detail are T.S. Eliot, F.R. Leavis, William Empson, and Raymond Williams, while there are also original discussions of such figures as Basil Willey, L.C. Knights, Q.D. Leavis, and Richard Hoggart. The Nostalgic Imagination argues that in the period between Eliot's The Sacred Wood and Williams's The Long Revolution, the writings of such critics came to occupy the cultural space left by academic history's retreat into specialized, archive-bound monographs. Their work challenged the assumptions of the Whig interpretation of English history, and entailed a revision of the traditional relations between 'literary history' and 'general history'. Combining close textual analysis with wide-ranging intellectual history, this volume both revises the standard story of the history of literary criticism and illuminates a central feature of the cultural history of twentieth-century Britain.

This unusual book explores the historical assumptions at work in the style of literary criticism that came to dominate English studies in the twentieth century. Stefan Collini shows how the work of critics renowned for their close attention to 'the words on the page' was in practice bound up with claims about the nature and direction of historical change, the interpretation of the national past, and the scholarship of earlier historians. Among the major figures examined in detail are T.S. Eliot, F.R. Leavis, William Empson, and Raymond Williams, while there are also original discussions of such figures as Basil Willey, L.C. Knights, Q.D. Leavis, and Richard Hoggart. The Nostalgic Imagination argues that in the period between Eliot's The Sacred Wood and Williams's The Long Revolution, the writings of such critics came to occupy the cultural space left by academic history's retreat into specialized, archive-bound monographs. Their work challenged the assumptions of the Whig interpretation of English history, and entailed a revision of the traditional relations between "literary history" and "general history". Combining close textual analysis with wide-ranging intellectual history, this volume both revises the standard story of the history of literary criticism and illuminates a central feature of the cultural history of twentieth-century Britain.

A study of nostalgia in the music of the popular twentieth-century composer Edward Elgar.

Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong cinema in the first decade of Chinese rule.

As the late 20th-century fascination with rounded shapes, organic influences and plastics fades, interior designers are increasingly drawn to dark colours, polished woods, velvets, furs, leather, dark metals and brick - materials with a nostalgic quality that were used liberally in centuries gone by. Efforts to shape a more authentic, less austere present by creating an idealized version of the past have begun to appear in commercial and residential design domestically and abroad. Dark Nostalgia presents 25 projects that exemplify the smooth incorporation of evocative historic details into current interiors. They all demonstrate the many successful ways this trend towards a dark nostalgia has been incorporated into recent designs.

Helmut Illbruck traces the concept of nostalgia from the earliest uses of the term in the seventeenth century to today as it evolves with different meanings and intensities in the discourses of medicine, literature, philosophy, and aesthetics. Following nostalgia’s troubled relations to the philosophical project of the Enlightenment, Illbruck’s study builds a cumulative argument about nostalgia’s modern significance that often revises and thoroughly enriches our understanding of cultural, literary, and intellectual history. Illbruck concludes with an attempt at a reinterpretation and defense of nostalgia, which seduces us to read and think with, rather than against, nostalgia’s wistful yearning for the past. Nostalgia: Origins and Ends of an Unenlightened Disease is a comprehensive, insistent, and profound interdisciplinary investigation of the history of an idea. It should appeal to readers interested in the cultural makings of the Enlightenment and modernity or in the histories of medicine, literature, and philosophy.

With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of our literary and cultural reflections on nature. The green tradition in American writing commands Buell's special attention, particularly environmental nonfiction from colonial times to the present. In works by writers from Crevecoeur to Wendell Berry, John Muir to Aldo Leopold, Rachel Carson to Leslie Silko, Mary Austin to Edward Abbey, he examines enduring environmental themes such as the dream of relinquishment, the personification of the nonhuman, an attentiveness to environmental cycles, a devotion to place, and a prophetic awareness of possible ecocatastrophe. At the center of this study we find an image of Walden as a quest for greater environmental awareness, an impetus and guide for Buell as he develops a new vision of environmental writing and seeks a new way of conceiving the relation between human imagination and environmental actuality in the age of industrialization. Intricate and challenging in its arguments, yet engagingly and elegantly written, The Environmental Imagination is a major work of scholarship, one that establishes a new basis for reading American nature writing.