Spring 2001, and the countryside of the North East of England resembles Fitzgerald's 'valley of ashes': the air is choked with the stench and smoke of the pyres which are burning in an attempt to contain the epidemic of foot and mouth disease. After forty years away, Ray Cruddas, a comedian with a national, considerably faded reputation, has returned to the North East to live. He has a new wife, a new club and a house close to a stand of trees which has haunted him from childhood. But he still believes he is living life at one remove, through the more vibrant, seemingly less complex and conflicted person of Jackie Mabe, the former boxer who, in his capacity as driver, drinking partner and gofer, has always stood between Ray Cruddas and the world. Jackie Mabe performed this role once before: for Jack Solomons, known as 'Jolly Jack' and 'the potentate', who ruled British boxing in the decades before and after the War. Along with the Victorian painter Ralph Hedley, the Geordie comic Bobby Thompson, and Margaret Thatcher's director of communications Gordon Reece, Solomons is among the many real life figures who populate this extraordinary blend of fact and fiction. The North of England Home Service, like Gordon Burn's earlier novels, reanimates and reinvents popular culture, making unexpected connections and salvaging something palpable from the evanescent spectacle of contemporary life.

Monty Python's Life of Brian film is known for its brilliant satirical humour. Less well known is that the film contains references to what was, at the time of its release, cutting edge biblical scholarship and Life of Jesus research. This research, founded on the acceptance of the Historical Jesus as a Jew who needs to be understood within the context of his time, is implicitly referenced through the setting of the Brian character within a tumultuous social and political background. This collection is a compilation of essays from foremost scholars of the historical Jesus and the first century Judaea, and includes contributions from George Brooke, Richard Burridge, Paula Fredriksen, Steve Mason, Adele Reinhartz, Bart Ehrman, Amy-Jill Levine, James Crossley, Philip Davies, Joan Taylor, Bill Telford, Helen Bond, Guy Stiebel, David Tollerton, David Shepherd and Katie Turner. The collection opens up the Life of Brian to renewed investigation and, in so doing, uses the film to reflect on the historical Jesus and his times, revitalising the discussion of history and Life of Jesus research. The volume also features a Preface from Terry Jones, who not only directed the film, but also played Brian's mum.

A volume on the literary and cultural history of West Indian and West African writing at the BBC. The volume covers over 40 different radio programmes which appeared within the 'Calling West Africa' and 'Calling West Indies' schedules between 1941 and 1965 and brings together a wide range of uncatalogued archive materials.

The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book shows how they have mapped the shift from deindustrialisation through to stigmatization of individuals and communities who have experienced profound levels of destabilization and unemployment. O'Brien argues that these novels offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including, class struggle, inequality, trauma, social abjection, racism, and stigmatization, exclusively looking at British working-class literature of the twenty-first century.

Locating Classed Subjectivities explores representations of social class in British fiction through the lens of spatial theory and analysis. By analyzing a range of class-conscious texts from the nineteenth-, twentieth-, and twenty-first centuries, the collection provides an overview of the way British writers mobilized spatial aesthetics as a means to comment on the intricacies of social class. In doing so, the collection delineates aesthetic strategies of representation in British writing, tracing the development of literary forms while considering how authors mobilized innovative spatial metaphors to better express contingent social and economic realities. Ranging in coverage from early-nineteenth-century narratives of disease to contemporary writing on the working-class millennial, Locating Classed Subjectivities offers new perspectives on literary techniques and political intentions, exploring the way class is parsed and critiqued through British writing across three centuries. As such, the project responds to Nigel Thrift and Peter Williams’s claim that literary and cultural production serves as a particularly rich yet unexamined access point by which to comprehend the way space and social class intersect.