Mythic discourses in the present day show how vernacular heritage continues to function and be valuable through emergent interpretations and revaluations. At the same time, continuities in mythic images, motifs, myths and genres reveal the longue durée of mythologies and their transformations. The eighteen articles of Mythic Discourses address the many facets of myth in Uralic cultures, from the Finnish and Karelian world-creation to Nenets shamans, offering multidisciplinary perspectives from twenty eastern and western scholars. The mythologies of Uralic peoples differ so considerably that mythology is approached here in a broad sense, including myths proper, religious beliefs and associated rituals. Traditions are addressed individually, typologically, and in historical perspective. The range and breadth of the articles, presenting diverse living mythologies, their histories and relationships to traditions of other cultures such as Germanic and Slavic, all come together to offer a far richer and more developed perspective on Uralic traditions than any one article could do alone.

Demographic overview of North American history describing in detail the holocaust that occurred to the Indians.

Savageau writes of poverty, mixed ancestry, nature and family in poems that are simultaneously tough and tender. --Curbstone Press Savageau's poetry is stirring, imagistic and powerful. --Ms. Magazine.

Fiction. Native American Studies. This is a compilation of Native American stories from the Abenaki tribe retold by Joseph Bruchac. In this book he captures the mysticism and adventure that these previous oral stories had. The illustrations by Kahionhes brilliantly depict some scenes in the stories and add to the experience of reading the book. Joseph Bruchac lives with his wife, Carol, in the Adirondack foothills town of Greenfield Center, New York in the same house he was raised by his grandparents. Much of his writing draws on that region of his Abenki ancestry. Kahionhes, or John Fadden, is an artist, art teacher, and the illustrator of more than twenty books dealing with Native Americans. He lives with his wife, Eva Thompson Fadden, and their three sons in the Adirondacks.

Asserts that the 1870 and 1890 Ghost Dance movements were deliberate efforts by American Indians to accomplish a demographic revitalization following their virtual demographic collapse. Correlates tribal participation with Indian population levels before and after the movements.