This book is an introductory account of the kingdom of Sicily established in 1130 by Roger II, a 'Norman' king, and ruled by Roger, his own son and grandsons until 1194 when the kingdom was conquered by his son-in-law, Henry VI of Hohenstaufen. The period covered does, however, extend from Charles of Anjou, a period roughly as long and as coherent as the 'Norman' monarchy of England between 1066 and 1204. Roger II's difficulties in creating an enduring kingdom needed continuous military effort. Even when these efforts were no longer required, the monarchy had still to learn how to function in lands where traditions of local government were strong. Yet when the monarchy itself faltered, the kingdom did not fall apart. Frederick II, the grandson of Roger II, showed that it could be revived and that his sons could maintain it. The ways in which the monarchy made itself indispensable cannot be traced in detail, but pointers to its success can be seen. The kingdom did not spring full-armed at birth - it took time and experience to hammer it into shape. When at last it looked capable of assuming the leadership of all Italy, its enemies combined to prevent it from doing so with the most profound consequences for Italy, the papacy and the west.

The administration of the Norman Kingdom of Sicily has long been held up to be the most advanced government in twelfth-century Europe. However, until now there has been considerable confusion about how this bureaucracy actually functioned, whether it developed in the 12th century or retained the form given it by Roger II; whether it had regional variations, what the identity of different departments of government was, who did what within the structures of government, and what the relationship between the Greek, Arabic and Latin elements within the administration was. This work goes a long way to sorting out these problems. The author's meticulous work with chronicles and charters enable him to clear up many problems and mysteries in the administration of finance and justice and to identify such uncertainties as remain. This fundamental work forms a basic reference point for future studies of Norman Sicily and of government in the high Middle Ages.

The Normans originally came to Italy and Sicily in the 11th and 12th centuries looking for adventure or a livelihood, but once there, found opportunity for fame and fortune. The story of the Norman conquest in Italy and Sicily is indeed one of knights and adventurers, great battles and lowly pillage, opportunism and statesmanship, and crusade and coexistence. This rich and often dramatic study focuses on the eight sons of Tancred of Hauteville, especially Robert Guiscard, who has been called "the most dazzling military ruler between Julius Caesar and Napoleon," and his youngest brother Roger, who conquered Sicily. It discusses how they expanded their lands throughout southern Italy, and then took Sicily from its Muslim rulers. The brothers, often in conflict with each other, challenged both the Papacy and the Byzantine Empire, became the main supporters of the reformed Papacy, and founded a rich, sophisticated kingdom that lasted until the nineteenth century.

When Muslim invaders conquered Sicily in the ninth century, they took control of a weakened Greek state in cultural decadence. When, two centuries later, the Normans seized control of the island, they found a Muslim state just entering its cultural prime. Rather than replace the practices and idioms of the vanquished people with their own, the Normans in Sicily adopted and adapted the Greco-Arabic culture that had developed on the island. Yet less than a hundred years later, the cultural and linguistic mix had been reduced, a Romance tradition had come to dominate, and Sicilian poets composed the first body of love lyrics in an Italianate vernacular. Karla Mallette has written the first literary history of the Kingdom of Sicily in the twelfth and thirteenth centuries. Where other scholars have separated out the island's literature along linguistic grounds, Mallette surveys the literary production in Arabic, Latin, Greek, and Romance dialects, in addition to the architectural remains, numismatic inscriptions, and diplomatic records, to argue for a multilingual, multicultural, and coherent literary tradition. Drawing on postcolonial theory to consider institutional and intellectual power, the exchange of knowledge across cultural boundaries, and the containment and celebration of the other that accompanies cultural transition, the book includes an extensive selection of poems and documents translated from the Arabic, Latin, Old French, and Italian. The Kingdom of Sicily, 1100-1250 opens up new venues for understanding the complexity of a place and culture at the crossroads of East and West, Islam and Christianity, tradition and innovation.

In this book, Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy 'of different nationalities', the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.

This book is an investigative study of Christian and Islamic relations in the kingdom of Sicily during the eleventh and twelfth centuries. It has three objectives. First, it establishes how and why the Norman rulers of Sicily, all of whom were Christians, incorporated Muslim soldiers, farmers, scholars, and bureaucrats into the formation of their own royal identities and came to depend on their Muslim subjects to project and enforce their political power. Second, it examines how the Islamic influence within the Sicilian court drew little scrutiny, and even less criticism, from intellectuals in the wider world of Latin Christendom during the time period. Finally, it contextualizes and explains the eventual emergence of Christian popular violence against Muslims in Sicily in the latter half of the twelfth century and the evolution of a wider discourse of anti-Islamic sentiment throughout Western Europe.

This book is written by two expert scholars. It tells a fascinating story about a period during the Middle Ages when cultures collided and made war on each other over issues of politics, religion, and wealth (much like the present day). With many views of the famous mosaics in Cefal, Monreale, and Palermo, its 275 color illustrations and four maps provide a beautiful visual complement to an authoritative text.