Ten humorous, interconnected short stories following three narrators as they learn lessons about life in the North Carolina foothills. The Night the New Jesus Fell to Earth was originally released in 1994 and was the first published book from acclaimed writer Ron Rash. This twentieth anniversary edition takes us back to where it all began with ten linked short stories, framed like a novel, introducing us to a trio of memorable narrators—Tracy, Randy, and Vincent—making their way against the hardscrabble backdrop of the North Carolina foothills. With a comedic touch that may surprise readers familiar only with Rash’s later, darker fiction, these earnest tales reveal the hard lessons of good whiskey, bad marriages, weak foundations, familial legacies, questionable religious observances, and the dubious merits of possum breeding, as well as the hard-won reconciliations with self, others, and home that can only be garnered in good time. The Night the New Jesus Fell to Earth shows us the promising beginnings of a master storyteller honing his craft and contributing from the start to the fine traditions of southern fiction and lore. This Southern Revivals edition includes a new introduction from the author and a contextualizing preface from series editor Robert H. Brinkmeyer, director of the University of South Carolina Institute for Southern Studies. “The Night the New Jesus Fell to Earth celebrates storytelling as art and necessity. Like the best Southern writers, Ron Rash gives us funny without cornpone, irony without mockery, charm without sentimentality.” —Marianne Gingher “This book of stories, shaped like a novel, is an impressive debut, both humorous and insightful. Ron Rash has the eye and ear of a very fine storyteller.” —Clyde Edgerton “He has given us real writing and real stories, the kinds of tales we hear and repeat, and which return to us in our sleeping and waking dreams.” —Max Childers, Creative Loafing “A substantial contribution to recent Southern fiction.” —Gil Allen, The Georgia Review “Wonderfully crafted entertainment in the finest tradition of today’s Southern writers.” —Southern Book Trade

Chemistry and Other Stories, A Picador Paperback Original From the pre-eminent chronicler of this forgotten territory, stories that range over one hundred years in the troubled, violent emergence of the New South. In Ron Rash's stories, spanning the entire twentieth century in Appalachia, rural communities struggle with the arrival of a new era. Three old men stalk the shadow of a giant fish no one else believes is there. A man takes up scuba diving in the town reservoir to fight off a killing depression. A grieving mother leads a surveyor into the woods to name once and for all the county where her son was murdered by thieves. In the Appalachia of Ron Rash's stories, the collision of the old and new south, of antique and modern, resonate with the depth and power of ancient myths.

"Featuring fictional stories by Ron Rash with a new introduction by the author"--

In this first book-length study of Ron Rash's fiction and poetry, John Lang explores the nature and scope of Rash's achievements, introducing readers to the major themes and stylistic features of his work as well as the literary and cultural influences that shaped it. After a brief survey of Rash's life and career, Lang traces Rash's development through his fourteen books of poetry and fiction published through 2013. Beginning with Rash's first three collections of short fiction, Lang analyzes the author's literary style and techniques as well as Rash's richly detailed settings and characters drawn from the mountain South, primarily western North Carolina and upstate South Carolina. Then, in an assessment of Rash's four volumes of poetry, Lang investigates their thematic and linguistic grounding in Appalachia and emphasizes their universal appeal, lyrical grace, and narrative efficiency. Moving to the early novels One Foot in Eden, Saints at the River, and The World Made Straight, Lang traces Rash's evolving narrative skills, intricate plotting, and the means by which he creates historical and philosophical resonance. Then Lang examines how vivid characters, striking use of dramatic techniques, and wide range of allusions combine in Rash's best-known book, which is also his most accomplished novel to date, Serena. After a study of Rash's most recent novel, The Cove, Lang returns to Rash's latest work in short fiction: his Frank O'Connor Award-winning Burning Bright and Nothing Gold Can Stay, both of which demonstrate his wide-ranging subject matter and characters as well as his incisive portraits of both contemporary Appalachian life and the region's history. An extensive bibliography of primary and secondary materials by and about Rash concludes the book.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.

In 1999, Andrew Smith was interviewing Charlie Duke, astronaut and moon walker, for the Sunday Times. During the course of the interview, which took place at Duke's Texan home, the telephone rang and Charlie left the room to answer it. When he returned, some twenty minutes later, he seemed visibly upset. It seemed that he'd just heard that, the previous day, one of his fellow moon walkers, the astronaut Pete Conrad, had died. The more Charlie spoke the more Andrew realised that his grief was something more than the mere fact of losing a friend. 'Now theres only nine of us,' he said. Only nine. Which meant that, one day not long from now, there would be none, and when that day came, no one on earth would have known the giddy thrill of gazing back at us from the surface of the moon. The thought shocked Andrew, and still does. Moondust is his attempt to understand why. The Apollo moon programme has been called the last optimistic act of the 20th Century. Over a strange three year period between 1969 and 1972, twelve men made the longest and most eccentric of all journeys, and all were indelibly marked by it. In Moondust Andrew sets out to interview all the remaining astronauts who walked on the moon, and to find out how their lives were changed for ever by what had happened. 'Where do you go after you've been to the moon?' In addition to this question that would prove hugely troubling to many of the returned astronauts, they also had to deal with the fantasies of faceless millions at their backs, for this was the first truly global media event. The walkers would forever be caught between the gravitational pull of the moon and the earth's collective dreaming.