The international bestselling author of THE LEGACY and THE UNSEEN returns with a searing novel of secrets and feuds Italy, 1921. When Leandro Cardetta returns to Puglia from America a rich man, he is determined to make his mark. But how did he get so wealthy? Boyd, a quiet English architect, is hired to build Leandro's dreams. But why is he so afraid of Leandro, and what really happened between them years before? When Boyd's wife, Clare, is summoned to Puglia, she is instantly desperate to leave, but soon finds a compelling reason to stay. And Ettore, starving, poor and grieving for his lost fiancée, is too proud to ask his Uncle Leandro for help. Until events conspire to force his hand. Tensions are high as poverty leads veterans of the Great War to the brink of rebellion. And under the burning sky, a reckless love and a violent enmity will bring brutal truths to light . . . Your favourite authors love Katherine Webb's sweeping historical dramas: 'An enormously talented writer' Santa Montefiore 'Webb have a true gift for uncovering the mysteries of the human heart and exploring the truth of love' Kate Williams 'Katherine Webb's writing is beautiful' Elizabeth Fremantle 'A truly gifted writer of historical fiction' Lucinda Riley 'Katherine's writing is rich, vivid and evocative' Iona Grey

Before there was Black Company, there was the Dread Empire, an omnibus collection the first three Dread Empire novels: A Shadow of All Night's Falling, October's Baby and All Darkness Met. For the first time in eBook format, the A Cruel Wind collection is available as individual books.

The international bestselling author of THE LEGACY and THE UNSEEN returns with a searing novel of secrets and feuds Italy, 1921. When Leandro Cardetta returns to Puglia from America a rich man, he is determined to make his mark. But how did he get so wealthy? Boyd, a quiet English architect, is hired to build Leandro's dreams. But why is he so afraid of Leandro, and what really happened between them years before? When Boyd's wife, Clare, is summoned to Puglia, she is instantly desperate to leave, but soon finds a compelling reason to stay. And Ettore, starving, poor and grieving for his lost fiancée, is too proud to ask his Uncle Leandro for help. Until events conspire to force his hand. Tensions are high as poverty leads veterans of the Great War to the brink of rebellion. And under the burning sky, a reckless love and a violent enmity will bring brutal truths to light . . . Your favourite authors love Katherine Webb's sweeping historical dramas: 'An enormously talented writer' Santa Montefiore 'Webb have a true gift for uncovering the mysteries of the human heart and exploring the truth of love' Kate Williams 'Katherine Webb's writing is beautiful' Elizabeth Fremantle 'A truly gifted writer of historical fiction' Lucinda Riley 'Katherine's writing is rich, vivid and evocative' Iona Grey

"Anyone who can get through a newspaper," Jeanne Murray Walker says, "will find this book a piece of cake." Indeed, the poems in this book are strong but unpretentious pieces rich in meaning and feeling. / The poems in New Tracks, Night Falling acknowledge that we are people driven and divided by fear. They talk about racism, war, loss, greed, alienation, our disregard of the earth, and our disregard of each other. Sometimes we feel like night is falling in the bright light of day. Yet we get glimpses of hope, of what could be: / In this dark time I want to / make light bigger, / to toss it in the air like a pizza chef, / to stick my fists in, stretching it / till I can get both arms into radiance above the elbow / and spin it above us. / Hope continually threads its way through these poems. We hear its voice as Walker writes about choices both those we make and those beyond our making. / And we feel hope rising like bread when Walker focuses on the gifts of potential, resolution, mercy, joy the new tracks that we can make in fresh snow, on old paths, along the roads more or less traveled. These are stays against the falling night. / With a keen eye for both physical and emotional detail, Walker explores a journey that all of us are on, and she does so in a way that speaks to our deep fears and deeper joys, that engages and inspires. Tempering somber notes with more joyful ones, she reminds us of the good things, great and small, that are still possible in this world.

Poetry. Literary Nonfiction. "For some thirty years, John Taylor has been diving as a critic into the torrents of modern European poetry; that is, into the different national literatures which, in addition, have accepted as their own kin some of the best American poetic voices, such as those of Walt Whitman, Ezra Pound, T. S. Eliot, or Wallace Stevens. John Taylor is very familiar with the rich aquatic life of these European rivers; in fact, he is one of the best-informed connoisseurs of what is going on in continental poetry, with all its lively diversity. But his critical books, which show his attentive, empathic reading of work written by others in the various hearts of European poetry France or Germany, Italy or Serbia, Greece or Slovenia, or the more northern countries are not the topic of this introduction. This introduction is about his own poetic prose, which relates his early childhood in the American Midwest. Yet in their stylistic techniques and symbolic depths, his writings indeed subtly reflect certain kinds of European poetics." Veno Taufer"

Now that Alexandra "Alex" Donovan is finally free of her troubled upbringing, she's able to live out her childhood dream of working for the FBI. But soon after she becomes a member of the FBI's elite Behavioral Analysis Unit, authorities in Kansas and Missouri contact them about bodies found on freight trains traveling across the country--all killed in the same way. Alex never expected to be forced to confront her past in this new job, but she immediately recognizes the graffiti messages the killer is leaving on the train cars. When the BAU sends her to gather information about the messages from her aunt in Wichita, Kansas, Alex is haunted by the struggles she thought she'd left behind forever. In a race against time to solve the case while battling her own weaknesses, Alex must face how far she'll go--and what she's willing to risk--to put a stop to the Train Killer.

Thanks to its unique combination of human and vampire residents, Morganville, Texas, is a small college town with big time problems. When student Claire Danvers gets the chance to experience life on the outside, she takes it. But Morganville isn’t the only town with vampire trouble… Claire never thought she’d get to leave Morganville, but she can’t pass up the chance to finally attend her dream school, MIT. After all, getting to invent anti-vamp devices with Professor Anderson—a Morganville exile herself—sounds like a dream come true…until Claire realizes that there are sinister forces in play, and she’s not the only one with a vampire-related agenda. Without her friends Shane, Eve and Michael, surviving a killer schedule may be hard…but with them, it might turn out to be impossible.