The vision for this impressive work on temple architecture in the Levant grew out of the author’s work on Roman temple designs on the Iberian Peninsula and continual references to Semitic influences on the designs of sanctuaries both on the Peninsula and in North Africa. It was assumed that Phoenician colonization had brought with it the full flowering of Levantine architectural forms. As Mierse began to search for relevant material on the ancient Levant, however, he discovered that no overall synthesis had ever been written, and it was virtually impossible to recognize and isolate Semitic elements in architectural forms. This book addresses this need. The analysis presented here is comparative and follows the methodology most commonly employed by architectural historians throughout the twentieth century. It is a formalist approach and permits the isolation of lines of continuity and the detection of discontinuity. While Mierse relies heavily on this traditional method, he also introduces some approaches from the postprocessual school of archaeology in its attempts to discern an appropriate way for cult to be investigated by archaeology. The sanctuaries that this book presents were erected between the end of the Late Bronze Age (conventionally assigned the date of 1200 B.C.E.) and the annexation of the Levantine region into the Assyrian Empire (when Mesopotamia again became highly influential in the region). The topic concerns temples that were produced during the period when the Levant was its own entity and politically independent of Egypt, Mesopotamia, or Anatolia. During this period, the designs chosen for inclusion in this book must reflect local choices rather than resulting from imposed outside concepts. The architecture that emerged in the wake of the downfall of the Late Bronze Age and the subsequent reemergence of social cohesiveness manifested significant changes in form and function. The five centuries under review reveal exciting developments in sacred architecture and show that, although the architects of the first millennium B.C.E. maintained important lines of continuity with the developments of the previous two millennia, they were also capable of creating novel forms to meet new needs. Included in this fascinating volume are 90 pages of photos, drawings, floor plans, and maps.

May God Avenge Their Blood: a Holocaust Memoir Triptych presents three memoirs by the Yiddish writer Rachmil Bryks (1912–1974). In "Those Who Didn't Survive," Bryks portrays inter-war life in his shtetl Skarżysko-Kamienna, Poland with great flair and rich anthropological detail, rendering a haunting collective portrait of an annihilated community. "The Fugitives" vividly charts the confusion and terror of the early days of World War II in the industrial city of Łódź and elsewhere. In the final memoir, "From Agony to Life," Bryks tells of his imprisonment in Auschwitz and other camps. Taken together, the triptych takes the reader on a wide-ranging journey from Hasidic life before the Holocaust to the chaos of the early days of war and then to the horrors of Nazi captivity. This translation by Yermiyahu Ahron Taub brings the extraordinary memoirs of an important Yiddish writer to English-language readers for the first time.

Hauptbeschreibung Der Band bietet einen Einblick in die Vielfalt des Judentums in Asien zwischen Mumbai und Manila. Einige Beiträge behandeln Fragen der untrennbaren Verflechtungen zwischen Politik und Judentum, andere scheinen auf den ersten Blick primär Lokalstudien zu jüdischen Gemeinden in Südasien, Südostasien und China zu sein. Aber es ist unverkennbar, dass auch solche lokalen Gemeinden immer in ein Netzwerk des globalen Judentums eingebettet sind, zugleich aber in Interaktion mit den dominierenden Religionen in den jeweiligen asiatischen Ländern stehen und dadurch interkultu.

A compelling look at the Fatimid caliphate's robust culture of documentation The lost archive of the Fatimid caliphate (909–1171) survived in an unexpected place: the storage room, or geniza, of a synagogue in Cairo, recycled as scrap paper and deposited there by medieval Jews. Marina Rustow tells the story of this extraordinary find, inviting us to reconsider the longstanding but mistaken consensus that before 1500 the dynasties of the Islamic Middle East produced few documents, and preserved even fewer. Beginning with government documents before the Fatimids and paper’s westward spread across Asia, Rustow reveals a millennial tradition of state record keeping whose very continuities suggest the strength of Middle Eastern institutions, not their weakness. Tracing the complex routes by which Arabic documents made their way from Fatimid palace officials to Jewish scribes, the book provides a rare window onto a robust culture of documentation and archiving not only comparable to that of medieval Europe, but, in many cases, surpassing it. Above all, Rustow argues that the problem of archives in the medieval Middle East lies not with the region’s administrative culture, but with our failure to understand preindustrial documentary ecology. Illustrated with stunning examples from the Cairo Geniza, this compelling book advances our understanding of documents as physical artifacts, showing how the records of the Fatimid caliphate, once recovered, deciphered, and studied, can help change our thinking about the medieval Islamicate world and about premodern polities more broadly.

A landmark project to collect, translate, and transmit primary material from a momentous period in Jewish culture and civilization, this volume covers what Elisheva Carlebach describes as a period "in which every aspect of Jewish life underwent the most profound changes to have occurred since antiquity." Organized by genre, this extensive yet accessible volume surveys Jewish cultural production and intellectual innovation during these dramatic years, particularly in literature, the visual and performing arts, and intellectual culture. The wide-ranging collection includes a diverse selection of sources created by Jews around the world, translated from a dozen languages. Representing a tumultuous time of changing borders, demographic shifts, and significant Jewish migration, this anthology explores the range of approaches of Jews, from welcoming to resistant, to the intertwining ideals of enlightenment and emancipation, "the very foundation of the Jewish experience in this period."