For Kelsey Andrews, the metal-scarred Vancouver skyline is an emblem of distance from her family home in Grande Prairie, Alberta, where nothing breaks the sky but the curve of the Earth. As she adjusts from a thirsty countryside filled with little wonders to a lush cityscape with fewer miracles, depression nests within her, weighted by loneliness and past secrets that remain unsayable. These poems lessen the weight of those burdens. She befriends, rather than beats, depression with the help of a natural world populated by winged things, animals, trees, water and sky. Her poems play with earthy whimsy, though they are not without gristle and little violences -- the moon's ancient bruises, gargoyles that shriek and moan, the thunk when you split a chicken. From snails to suicide and picking blackberries to killing flies, through it all, Kelsey finds beauty and the light that persists. Poetry.

I've lived the way a field is sometimes / a shelter for mice / or sometimes a source of game / for a hawk Inspired by the literary landscape of the late poet John Thompson, Kevin Irie's The Tantramar Re-Vision presents a portrait of nature where the benign and the bedevilled coexist, collude, or collide. The Tantramar Re-Vision charts routes of discovery as it follows trails, waterways, flights, and fears, be it through the woods, the wilds, the page, or the mind where "it's hard to admit / you are not to your taste." It questions an existence in which the inhuman thrives, ignorant of divinity, while the human psyche continues to search for answers as "life takes directions / away from" it. The Tantramar Marsh setting of John Thompson's Stilt Jack resonates with Irie's landscapes of birds, fish, plants, and wildlife, all still within reach yet part of a world where "wind carries sounds / it cannot hear." Insightful and meditative, The Tantramar Re-Vision is poetry of the inner self and the outside observer, a poetic testament to the ways literature creates its own landmarks and nature survives without knowing a word.

‘Every time I leave the world of work, family and community to wade into a river with fly rod in hand, I enter a sacred space that sometimes finds expression in the written word.’ In Casting into Mystery, writer Robert Reid and wood engraver Wesley W. Bates—avid anglers, both—put ink to paper in homage to the venerable sport of fly fishing. Through text and image, they recall with fondness the ‘company of rivers’ each is grateful to know, providing a glimpse inside a sporting culture teeming with literature, art and music. Part memoir, part objet d’art and part field guide, Casting into Mystery will delight passionate fly fishing practitioners and armchair anglers alike.

A resilient and witty story of fate, free will and superstition by an award-winning author. As the daughter of Southern Italian immigrants joined by an arranged marriage, Fantetti grew up witnessing and weathering the devastating consequences of her mother's schizophrenia. Moving to the other side of the country to escape the constant turmoil, Fantetti casts a canny eye on her painful childhood through writing and performing stand-up comedy. When her dad develops depression, a host of long-buried ancestral beliefs spring forward--like the three witches of the Macbeth-- Mal'occhio, Maledictions and Stregheria -- Fantetti blends old customs with new traditions in an ancient and modern pot to heal a fractured self; studying the sky for planetary alignment; consulting her trusty tarot deck for guidance and visiting her dad's psychic healer for a prescription for prescience. Throughout her journey the enduring father-daughter bond shines through the wisecracks, with great love, determination, and grace.