The sacred hymns of New Mexico compiled by the expert on church literature in a handsome bilingual volume.

A comprehensive overview of New Mexican folk arts from the 16th century to the present time.

Miguel de Quintana was among those arriving in New Mexico with Diego de Vargas in 1694. He was active in his village of Santa Cruz de la Cañada where he was a notary and secretary to the alcalde mayor, functioning as a quasi-attorney. Being unusually literate, he also wrote personal poetry for himself and religious plays for his community. His conflicted life with local authorities began in 1734, when he was accused of being a heretic. What unfolded was a personal drama of intrigue before the colonial Inquisition. Francisco A. Lomelí and Clark Colahan dug deep into Inquisition archives to recover Quintana's writings, the second earliest in Hispanic New Mexico's literary heritage. First, they present an essay focused on Church and society in colonial New Mexico and on Quintana's life. The second portion is a translation of and critical look at Quintana's poetry and religious plays.

This study by an author with intergenerational ties to the Penitentes--the deeply religious group called Hermanos de la Luz (Brothers of the Light)--ties the santero folk art of New Mexico, the Penitente Brotherhood, and the Penitente religious hymns together. (Christian)

In this exploration of how people lived and died in eighteenth- and nineteenth- century New Mexico, Martina Will weaves together the stories of individuals and communities in this cultural crossroads of the American Southwest. The wills and burial registers at the heart of this study provide insights into the variety of ways in which death was understood by New Mexicans living in a period of profound social and political transitions. This volume addresses the model of the good death that settlers and friars brought with them to New Mexico, challenges to the model's application, and the eventual erosion of the ideal. The text also considers the effects of public health legislation that sought to protect the public welfare, as well as responses to these controversial and unpopular reforms. Will discusses both cultural continuity and regional adaptation, examining Spanish-American deathways in New Mexico during the colonial (approximately 1700–1821), Mexican (1821–1848), and early Territorial (1848–1880) periods.