In the last ten years, the field of documentary has been subject to substantial paradigm shifts due to the rise of digital media practices. This publication explores some central questions arising in this context: Who are the different interactors networking within the ‘new’ documentary nexus? How can we conceptualize interactive documentary practices as encounters and dynamic interactions within digital media culture and beyond? How can one methodologically approach this complex networked yet dynamic nexus in its constant flux? Developing a coherent and expandable operational set of methods to describe and analyse paradigmatic cases, this book addresses documentary theorists, (new) media scholars and students of media and communication studies who want to gain a survey of current developments in the field of interactive documentary practices.

Book 1 of the Nexus Trilogy - Continued in Book 2: Crux In the near future, the experimental nano-drug Nexus can link humans together, mind to mind. There are some who want to improve it. There are some who want to eradicate it. And there are others who just want to exploit it. When a young scientist is caught improving Nexus, he's thrust over his head into a world of danger and international espionage - for there is far more at stake than anyone realizes. From the halls of academe to the halls of power, from the headquarters of an elite US agency in Washington DC to a secret lab beneath a top university in Shanghai, from the underground parties of San Francisco to the illegal biotech markets of Bangkok, from an international neuroscience conference to a remote monastery in the mountains of Thailand - Nexus is a thrill ride through a future on the brink of explosion. Shortlisted for the Arthur C Clarke Award Shortlisted for the Prometheus Award Shortlisted for the Kitschies Award An NPR Best Book of 2013! "Good. Scary good." - Wired "Provocative... A double-edged vision of the post-human."- The Wall Street Journal "A lightning bolt of a novel, with a sense of awe missing from a lot of current fiction."- Ars Technica "Starred Review. Naam turns in a stellar performance in his debut SF novel... What matters here is the remarkable scope and narrative power of the story."- Booklist "A superbly plotted high-tension technothriller ... full of delicious, thoughtful moral ambiguity ... a hell of a read."- Cory Doctorow "A gripping piece of near future speculation... all the grit and pace of the Bourne films."- Alastair Reynolds, author of Revelation Space "A sharp, chilling look at our likely future."- Charles Stross, author of Singularity Sky and Halting State "The most brilliant hard SF thriller I've read in years. Reminds me of Michael Crichton at his best."- Brenda Cooper, author of The Creative Fire "A rich cast of characters...the action scenes are crisp, the glimpses of future tech and culture are mesmerizing."- Publishers Weekly "Any old writer can take you on a roller coaster ride, but it takes a wizard like Ramez Naam to take you on the same ride while he builds the roller coaster a few feet in front of you."- John Barnes, author of Directive 51 "Michael Crichton-like."- SFX Magazine "An incredibly imaginative, action-packed intellectual romp!"- Dani Kollin, Prometheus Award-winning author of The Unincorporated Man "The only serious successor to Michael Crichton."- Scott Harrison, author of Archangel

This book provides a transnational perspective on Netflix's changing role in the media landscape through chapters from leading international scholars in television and internet studies.

Hybrid Documentary and Beyond explores the theories, production techniques, ethics, and impact of hybrid documentaries. Often described as simply a blend of fact and fiction, the author challenges this definition of hybrid documentary through an interrogative examination of not only why and how they are made, but also of their real-world impact upon subjects, filmmakers and audiences. Combining theoretical analysis withe real-world case studies and interviews with luminaries in the field she effectively demonstrates that hybrid documentaries can be creatively liberating for all involved and why their appeal and impact are growing globally. Offering a fresh and bold perspective on hybrid documentary filmmaking that goes far beyond the existing canon on the subject, this book will be an essential resource for practitioners, scholars and students working in the areas of media arts and production, film studies and documentary.

The name Noah Hopkins is synonymous with the nightclub NEXUS. This book digs deep into Noah's journey, tracing his life back to his childhood in the Gert Town section of New Orleans where he dared to dream about a life beyond his low-income neighborhood. When he finally fulfilled his dream, the experience was bigger than he ever imagined. The NEXUS Days is an inside look at how Noah achieved success; the people who collaborated with him in business and the customers who made his businesses thrive. The book recalls the many celebrities who visited NEXUS and even shares the back-stories about the night Eddie Murphy came to NEXUS as well as the appearances by Stevie Wonder. Throughout its pages, the book recognizes that during its glory days, NEXUS was the social nucleus for Black professionals in New Orleans. It also weaves in a love story involving Noah and his wife, Karin Hopkins, who is the author of The NEXUS Days. She goes behind the scenes and reveals the raw truth about this iconic nightclub, how it flourished and why it ultimately failed. Before the last drink was poured, NEXUS sustained many years of popularity. This story has been waiting to be told. The NEXUS Days reveals stunning insights about aspects of the business that have never been publicly discussed. It also is a Master Class in business development, especially for anyone interested in starting a nightclub. And the book is a delightful stroll down memory lane for everyone who experienced NEXUS.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Over the past half century, computing has profoundly altered the ways stories are imagined and told. Immersive, narrative, and database technologies transform creative practices and hybrid spaces revealing and concealing the most fundamental acts of human invention: making stories. The Digital Imaginary illuminates these changes by bringing leading North American and European writers, artists and scholars, like Sharon Daniel, Stuart Moulthrop, Nick Montfort, Kate Pullinger and Geof Bowker, to engage in discussion about how new forms and structures change the creative process. Through interviews, commentaries and meta-commentaries, this book brings fresh insight into the creative process from differing, disciplinary perspectives, provoking questions for makers and readers about meaning, interpretation and utterance. The Digital Imaginary will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including storymakers, educators, curators, critics, readers and artists, alike.

30 Jahre nachdem Félix Guattari den Begriff des Postmassenmedialen als notwendige Bedingung medialer Teilhabe eingeführt hat, wirkt er weiterhin in den Arbeiten nachfolgender Generationen nach. Dass ein Konzept, das auf politisches Geschehen und technische Entwicklungen bis hin zur Zäsur von 1989 reagiert, noch heute den wissenschaftlichen Nachwuchs beschäftigt, ist jedoch nicht selbstverständlich. Diese Ausgabe der AugenBlick, die im Umfeld der DFG-Forscher:innengruppe Mediale Teilhabe entstanden ist, unterstreicht die Notwendigkeit, aufmerksam die sich wandelnden Formen politischer und künstlerischer Partizipation im sogenannten "postmedialen Zeitalter" zu betrachten. Die hier versammelten Beiträge formulieren dabei keine Medientheorie der Ermöglichung von Teilhabe. Viel eher tritt das Postmassenmediale selbst als eine Frage der Teilhabe hervor, die in sich medial begriffen werden muss. Dieser Rahmen erlaubt es, das Postmassenmediale in unserer gegenwärtigen techno-politischen Situation zu verorten. So tritt es uns in Arbeiten zu Videospielen, dokumentarischen Projekten, YouTube, Ästhetik und Ethik des Politischen und in Meditationen zur Pandemie entgegen