This is the journal of Joe Necchi, a junkie living on a barge that plies the rivers and bays of New York. Joe's world is the half-world of drugs and addicts -- the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one's rules but his own. Like DeQuincey and Baudelaire before him, Trocchi's muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the "fix," is central to Cain's Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology. "Cain's Book is the classic late-1950s account of heroin addiction. . . . An un-self-forgiving existentialism, rendered with writerly exactness and muscularity, set this novel apart from all others of the genre." -- William S. Burroughs

Appearing together in English for the first time, two masterpieces that take on the jazz age, the Nuremburg trials, postwar commercialism, and the feat of writing a book, presented in one brilliant volume The Death of My Brother Abel and its delirious sequel, Cain, constitute the magnum opus of Gregor von Rezzori’s prodigious career, the most ambitious, extravagant, outrageous, and deeply considered achievement of this wildly original and never less than provocative master of the novel. In Abel and Cain, the original book, long out of print, is reissued in a fully revised translation; Cain appears for the first time in English. The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics’ identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on.

Who was Cain and what does he represent? The first part of this book invites us to revise the traditional, biblical, view of Cain as his brother’s murderer. Rudolf Steiner shows how the original Cain was ready to sacrifice his being to something higher, but this pure impulse was perverted into the desire to murder. Our earthly knowledge has an affinity with the fallen Cain, but there is also a path by which we can ascend to the condition of Cain before his fratricide – through the stages of higher knowledge. Only the descendants of Cain, coming to full and real ‘I’ development, can sustain themselves in the face of earthly forces. In the context of this primeval Cain, or the ‘new’ Cain, the ritual ceremonies enacted by Steiner between 1905 and 1914 acquire their true meaning: as a way to incorporate previously developed spirit knowledge into the human soul and into physical reality. Here the practical occultist increasingly identifies with Hiram, the central figure of the Temple Legend, in order to realize the new Cain within him. Meyer demonstrates the direct line from Rudolf Steiner’s early ‘rites of knowledge’ to the Class lessons of 1924, which Steiner had intended to reinvest with a ritual element. Besides reflections by Rudolf Steiner and editor Thomas Meyer’s commentary, this volume includes important thoughts by Marie Steiner, W.J. Stein, Ludwig Polzer-Hoditz and Rudolf Geering-Christ. The final chapter is a lecture by D.N. Dunlop – perhaps Steiner’s most important pupil in the West – that reveals the universally human core of the rituals we encounter both in traditional freemasonry and in Steiner’s own rites.

For over 50 years students, professors, clergy, and general readers have relied on The New Oxford Annotated Bible as an unparalleled authority in Study Bibles. This fifth edition of the Annotated, thumb-indexed and in a protective two-piece box, remains the best way to study and understand the Bible at home or in the classroom. This thoroughly revised and substantially updated edition contains the best scholarship informed by recent discoveries and anchored in the solid Study Bible tradition. · Introductions and extensive annotations for each book by acknowledged experts in the field provide context and guidance. · Introductory essays on major groups of biblical writings - Pentateuch, Prophets, Gospels, and other sections - give readers an overview that guides more intensive study. · General essays on history, translation matters, different canons in use today, and issues of daily life in biblical times inform the reader of important aspects of biblical study. · Maps and diagrams within the text contextualize where events took place and how to understand them. · Color maps give readers the geographical orientation they need for understanding historical accounts throughout the Bible. · Timelines, parallel texts, weights and measures, calendars, and other helpful tables help navigate the biblical world. · An extensive glossary of technical terms demystifies the language of biblical scholarship. · An index to the study materials eases the way to the quick location of information. The New Oxford Annotated Bible, with twenty new essays and introductions and others--as well as annotations--fully revised, offers the reader flexibility for any learning style. Beginning with a specific passage or a significant concept, finding information for meditation, sermon preparation, or academic study is straightforward and intuitive. A volume that users will want to keep for continued reference, The New Oxford Annotated Bible continues the Oxford University Press tradition of providing excellence in scholarship for the general reader. Generations of users attest to its status as the best one-volume Bible reference tool for any home, library, or classroom.

The New Oxford Annotated Bible offers a vast range of information, including extensive notes by experts in their fields; in-text maps, charts, and diagrams; supplementary essays on translation, biblical interpretation, cultural and historical background, and other general topics. Extensively revised, the Annotated Fourth Edition adds to the established reputation of this essential biblical studies resource. This timely edition maintains and extends the excellence the Annotated's users have come to expect, bringing still more insights, information, and perspectives to bear upon the understanding of the biblical text.

From Justin Bieber, to Sarah Palin and Michele Bachmann, to the controversial documentary Jesus Camp (2006), the New Apostolic Reformation's influence can be seen everywhere in mainstream America. Beginning with an examination of the Latter Rain, Church Growth and Shepherding movements, this book explores how the new Reformation has become one of the most powerful movements in modern evangelical Christianity and a major influence on American political and cultural life. The author describes the New Apostolic Reformation's organization, how the movement spread and its national and international objectives.

Presents the complete text of the New Revised Standard Version Bible, and features annotations in a single column across the page bottom, in-text background essays on the major divisions of the biblical text, and other reference tools.