American society may be hostile to the thought of ideologies, but it possesses a sophisticated but little understood ability to engage in deep conflicts over political ideas, while at the same time reducing adversarial positions to legitimate derivatives of American history and development. The study asks how this occurs; how the sources, traditions and usages of core ideas and their derivative compounds animate political discourse and structure the basis of political conflict; and how it is possible to sustain a high incidence of competitive value-laden argument and principled political conflict within a stable political order. The fundamental aim of this study is to examine the traditions and usages of American political ideas within the arena of practical politics. By locating them in their respective contexts, it will be possible to assess both their changing meanings and their shifting relationships to one another. In surveying America's core ideas both in isolation and in combination, the book facilitates an informed awareness of their political and cultural leverage as forms of persuasion and sources of legitimacy. American Credo roots the examination of American political ideas firmly in the milieu of social drives, political movements and contemporary issues within which the ideas themselves are embedded. This not only allows the study to investigate the interior properties and traditional priorities of America's key values but permits the theoretical implications and practical consequences of these ideas to be traced and evaluated. By marshalling a wide variety of evidence from different disciplines and perspectives, and by employing innovative principles of organisation, the study offers clarity and depth in support of an inventive explanatory scheme. It concludes with a review of the current and likely future challenges to the protocols and conventions surrounding the matrix of ideational coexistence.

Offering inspiring words on issues ranging from charity and justice, politics, economic issues, the environment, nuclear disarmament, and mortality to the meaning of faith, the church, and a pastor's responsibility.

After a fifteen-year hiatus from the world of guns, journalist, sports shooter, and former soldier A.J. Somerset no longer fit in with other firearm enthusiasts. Theirs was a culture much different than the one he remembered: a culture more radical, less tolerant, and more immovable in its beliefs, “as if [each] gun had come with a free, bonus ideological Family Pack [of political tenets], a ready-made identity.” To find the origins of this surprising shift, Somerset began mapping the cultural history of guns and gun ownership in North America. Arms: The Culture and Credo of Gun is the brilliant result. How were firearms transformed from tools used by pioneers into symbols of modern manhood? Why did the NRA’s focus shift from encouraging responsible gun use to lobbying against gun-safety laws? What is the relationship between gun ownership and racism in America? How have the film, television, and video game industries molded our perception of gun violence? When did the fear of gun seizures arise, and how has it been used to benefit arms manufacturers, lobbyists, and the far-right? Few ideas divide communities as much as those involving firearms, and fewer authors are able to tackle the subject with the same authority, humor, and intelligence. Written from the unique perspective of a gun lover who’s disgusted with what gun culture has become, Arms is destined to be one of the most talked-about books of the year.

Following the prayers, a brief compendium of various important lists and other information can be found, such as the Ten Commandments, the Beatitudes, the Precepts of the Church, and others.

Maryann Corbett’s second full-length collection, Credo for the Checkout Line in Winter, draws on profound experience of deep winter in the lived environment, while keeping alive faith that the thaw will come and bring with it the bloom of “uncountable rows of petals.” The themes of this finalist for the 2011 Able Muse Book Award range from the quotidian to the metaphysical. Corbett’s keen eye brings to focus uncommon detail. Her masterful technical repertoire spans received forms, metrical inventiveness, and free verse. This is poetry that amply rewards the reader with its boundless imagination, insight and visionary delight. PRAISE FOR CREDO FOR THE CHECKOUT LINE IN WINTER: The crafted poems in Maryann Corbett’s new book are vibrant. She is a newborn Robert Frost, with a wicked eye for contemporary life. Each poem surprises. Read her poems and feel the howling snow, the mud, and the jubilance of the first warm fertile spring days. —Willis Barnstone What makes Maryann Corbett such a rare, excellent writer must be her talent for weaving together various artistic impulses, so that her poems often sound both traditional and brand new, both humorous and serious, both worldly-wise and, as John Keats once put it, “capable of being in uncertainties.” [She] remains a poet of the first order, and her poems are cause for gratitude, and deep enjoyment. —Peter Campion (from the foreword) Corbett is as comfortable and affecting within the tight confines of the Old English alliterative meter (“Cold Case”) and the Sapphic stanza (“Paint Store”) as she is with her supple blank verse and terza rima. Yet never does her rigorous craft interfere with the thoughtful, insightful content of these poems. A stunning collection, from one of America’s most gifted contemporary poets. —Marilyn L. Taylor Do not dismiss this collection as “domestic poetry,” “women’s verse.” Though grounded in seasonal rhythms and familiar settings, it is as vigorous, as reflective, as important as any man’s. Sharply visual, skillfully and cleverly crafted, her poems draw out essences, “concentrated” and persisting. “Beauty changes us,/ calling up wonder from our deepest selves/ to its right place.” —Catharine Savage Brosman These masterful poems announce themselves as winter pieces, and indeed they are so full of sleet and snow that readers may wish to dress warmly. But Corbett’s winter, a season when “dull forms come in the mail” and we eat “tasteless, stone-hard, gassed tomatoes,” is always lushly haunted by the other seasons, the way a house in one of her poems is fronted by a “three-season porch.” Corbett is one of the best-kept secrets of American poetry, and this is one of the best new collections I’ve read in years. —Geoffrey Brock

The Constructivist Credo is a set of foundational principles for those wishing to conduct social science research within the constructivist paradigm. They were distilled by Yvonna Lincoln and Egon Guba from their many writings on this topic and are provided in the form of 150 propositional statements. After Guba’s death in 2008, the Credo was completed by Lincoln and is presented here. In addition to the key principles of constructivist thought, the volume also contains an introduction to constructivism, an intellectual biography and complete bibliography of Guba’s work, and a case study using constructivism, showing how the paradigm can be applied to a research study.