Constructed around a key episode in the Book of Mormon, The Nephiad blends the rigidly-defined structures and grand style of the Renaissance epic poem with modern-day scripture to re-create a genre that is at once uplifting and compelling. Gideon Burton calls it "a unique contribution to Mormon literature."

This collection of 25 essays of literary criticism includes pieces on British poet John Milton, British fantasy writer C. S. Lewis, American horror writer Stephen King, American SF and fantasy writer Orson Scott Card, British horror writer Clive Barker, and several others. Complete with bibliography and index.

In his new collection of verse, Michael R. Collings touches upon themes of science fiction, myth and fantasy, and horror. The well-known SF writer Orson Scott Card says: "Collings's poetry is a path, a road, sometimes even a highway, taking you to destinations you did not even know you wanted to visit, and yet you always did in some deep place in your heart, and when he takes you there, you recognize it and realize that you are, for this moment, home."

Renowned historian Richard Lyman Bushman presents a vibrant history of the objects that gave birth to a new religion. According to Joseph Smith, in September of 1823 an angel appeared to him and directed him to a hill near his home. Buried there Smith found a box containing a stack of thin metal sheets, gold in color, about six inches wide, eight inches long, piled six or so inches high, bound together by large rings, and covered with what appeared to be ancient engravings. Exactly four years later, the angel allowed Smith to take the plates and instructed him to translate them into English. When the text was published, a new religion was born. The plates have had a long and active life, and the question of their reality has hovered over them from the beginning. Months before the Book of Mormon was published, newspapers began reporting on the discovery of a "Golden Bible." Within a few years over a hundred articles had appeared. Critics denounced Smith as a charlatan for claiming to have a wondrous object that he refused to show, while believers countered by pointing to witnesses who said they saw the plates. Two hundred years later the mystery of the gold plates remains. In this book renowned historian of Mormonism Richard Lyman Bushman offers a cultural history of the gold plates. Bushman examines how the plates have been imagined by both believers and critics--and by treasure-seekers, novelists, artists, scholars, and others--from Smith's first encounter with them to the present. Why have they been remembered, and how have they been used? And why do they remain objects of fascination to this day? By examining these questions, Bushman sheds new light on Mormon history and on the role of enchantment in the modern world.

1066 Oleander Place seems a typical tract house in the Southern California town of Tamarind Valley. What no one grasps is that this house is deadly: dark, dangerous, EVIL to the core. It consumes all who enter it, one by one--spiritually, psychologically, physically. Even to visit the place challenges fate--and promises a VERY BAD TIME for everyone there. In the tradition of Stephen King and Dean Koontz, a phantasmagoria of fear, horror, and terror!

As the sacred text of a modern religious movement of global reach, The Book of Mormon has undeniable historical significance. That significance, this volume shows, is inextricable from the intricacy of its literary form and the audacity of its historical vision. This landmark collection brings together a diverse range of scholars in American literary studies and related fields to definitively establish The Book of Mormon as an indispensable object of Americanist inquiry not least because it is, among other things, a form of Americanist inquiry in its own right--a creative, critical reading of "America." Drawing on formalist criticism, literary and cultural theory, book history, religious studies, and even anthropological field work, Americanist Approaches to The Book of Mormon captures as never before the full dimensions and resonances of this "American Bible."

Originally ephemeral pamphlets sold by traveling peddlers, or ‘chap-men’, chapbooks have enjoyed a long and illustrious history, surviving in print form from the sixteenth century until today--in fact, much contemporary poetry has first appeared in small-press chapbooks, most frequently folded sheets stapled in the crease. BlueRose compiles ten chapbooks by Michael R. Collings, with publication dates ranging from the early 1980s to 2011. Individually they explore a variety of themes, topics, and forms--the wit and cleverness of limericks; the ethereal grace of haiku; the directness and humor of children’s verses. One of the chapbooks contains only short poems, several of them one or two words long; another is a single extended look into the mind and career of one of the greatest sixteenth-century poets through the mediation of his mother’s will. One celebrates vitality and energy; another celebrates loving memories of lives well spent. All present readers with carefully chosen words woven into thought-provoking lines. Fans of Michael R. Collings's work will find in this new collection a treasure trove of words and thoughts and feelings to savor and enjoy.