Includes not only architectural information, but also the cultural significance of these Buddhist monuments.

Brian Hodgson lived in Nepal from 1820 to 1843 during which time he wrote and published extensively on Nepalese culture, religion, natural history, architecture, ethnography and linguistics. Contributors from leading historians of Nepal and South Asia and from specialists in Buddhist studies, art history, linguistics, ornithology and ethnography, critically examine Hodgson's life and achievement within the context of his contribution to scholarship. Many of the drawings photographed for this book have not previously been published.

"The volume thoroughly examines the origins and principal types of Buddhist architecture in Asia primarily between the third century BCE-twelfth century CE with an emphasis on India. It aims to construct shared architectural traits and patterns alongwith the derivative relationships between Indian and Asian Buddhist monuments. It also discusses the historical antecedents in the Indus Civilization and the religious and philosophical foundations of the three schools of Buddhism and its founder, Buddha. Previously obscure topics such as Aniconic and Vajrayana (Tantric) architecture and the four holiest sites of Buddhism will also be covered in this comprehensive volume. The author further investigates the influences of Buddhist architecture upon Islamic, Christian, and Hindu architecture that have been overlooked by past scholars."

Vols for 1981-82 also include Nepalese national bibliography for 1981-82

Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice. In Creating the Universe, Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices—accompanied by extensive explanatory diagrams—to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/creating-the-universe

Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13 catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the pa

This comprehensive history of Nepal spans pre-historic times and the Licchavi Period to more recent developments, such as the Maoist insurgency and the rise of the republic. In addition to religious history and histories of selected regions (Mustang, Sherpa, Tarai, and others), it covers the nation's relations with its powerful neighbors and its cultural aspects, especially its rich history of arts, architecture, and crafts.