Ndebele - A People & Their Art is a beautifully illustrated study of the Ndebele and their distinctive art culture. Exceptional photography and insightful text have combined to make this a fascinating and visually exciting work that will have great appeal for all those with an interest in the tribal cultures of southern Africa and of the Ndebele in particular. Endowed with a rich creativity, Ndebele women have developed an art culture of remarkable ingenuity and vitality which has established their tribal grouping as Africa's artist nation. In their beadwork and in the large murals that cover the walls of their traditional mud dwellings - many of which are unusually innovative in their planning and construction - the Ndebele women have created bold, often symbolic, designs and images that are at one ancient and modern in their simplicity, colour and mode of representation. The traditional dress of Ndebele women is equally striking and dramatic, as are their beadwork and adornments. But the artistic achievements of the Ndebele are not the sole focus of the work. Equal emphasis is placed on an understanding of the historical, social and political background against which Ndebele art emerged and has flourished.

In 1999, a defiant 76-year old Mr Stanley Mhlanga confronted the Zimbabwean Forestry Commission. He claimed that Queen Lozikeyi had given his people the land from which they had been evicted. Who was this woman, an inspiration to an old man 80 years after her death? Queen Lozikeyi was the senior queen of Lobhengula, king of the Ndebele people in what is now Zimbabwe. Her early life has been wreathed in mystery, but now at last her story can be told. This book is one of the first studies of a woman who led her people while the British colonial power occupied her country. She was the intellect behind one of the most effective anti-colonial revolts. Queen Lozikeyi continues to be an inspiration to Zimbabweans today. Queen Lozikeyi, as an Ndebele royal woman, interited a strong constitutional position from Nguni royal foremothers in Zululand. This study shows how Lobhengula's senior queen and other Ndebele royal women uses their power.

This tell-all memoir reveals the details behind Sunday Times journalist Mzilikazi wa Afrika's exposure of the R1.7 billion lease scandal between police commissioner Bheki Cele and property tycoon Roux Shabangu, for which he was infamously arrested in 2010. It is also the riveting account of how a neglected boy in an unknown village became one of South Africa's most awarded investigative reporters and found himself at the receiving end of the corruption that had defeated those he helped put in power. Fearless in the face of corrupt authorities with sinister political motives, and fervent about justice, Wa Afrika's life was characterised by resistance to oppression and inequality from an early age. Destined to defend and uphold the principles of democracy, his story is the inspiring tale of an ordinary man, armed with a pen, who challenged the proverbial giant.

The Fourth Congress of the Association of African historians was held in Addis Ababa in May 2007. These 21 papers are a key selection of the papers presented there, with an introduction by the distinguished historian Bahru Zewde. Given the contemporary salience and the historical depth of the issue of identity, the congress was devoted to that global phenomenon within Africa. The papers explore and analyse the issue of identity in its diverse temporal settings, from its pre-colonial roots to its cotemporary manifestations. The papers are divided into six parts: Pre-Colonial Identities; Colonialism and Identity; Conceptions of the Nation-State and Identity; Identity-Based Conflicts; Migration and Acculturation; and Memory, History and Identity. The authors are scholars from Benin, Botswana, Cameroon, the Democratic Republic of Congo, Ethiopia, Mali, Nigeria, Senegal, South Africa and Zimbabwe. Bahru Zewde is Emeritus Professor of History at Addis Ababa University, Executive Director of the Forum for Social Studies, and Vice-President of the Association of African Historians. He was formerly Chairperson of the Department of History and Director of the Institute of Ethiopian Studies at Addis Ababa University. Amongst his publication is A History of Modern Ethiopia 1855-1991.

For generations, the women of the Ndebele of southern Afrcia have produced an art of remarkable richness and vitality. In their ceremonial beadwork and in large murals that cover the exterior walls of their mud dwellings, these women have created designs that are at once ancient and modern in their simplicity, bright colours and abstract patterns.