Domestic tourism in developing countries is rapidly outstripping international tourism and could soon involve ten times the numbers. This is an examination of the numbers involved, their profile, behaviour, impacts and the relevant policy responses. The volume looks at the impacts of local mass tourism in various socio-economic and environmental contexts and on diverse social groups. It provides analysis and overviews of seven of the main countries involved in Asia, Africa and Latin America.

As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.

This is the delightful story of an eighteen-day bus pilgrimage to sixty pagodas across Myanmar. As the author settles into her seat, the aisle blocked with luggage, she trains our eyes on the collection of characters that, like it or not, will be her traveling companions for the whirlwind tour. This native tourist amuses us with her adventures of eating at roadside cafes, climbing up pagodas, bathing in rivers, shopping at markets, and sleeping on temple floors. Along the way, she encounters deeply rooted cultural values and develops camaraderie with strangers that become like family for the duration of her travels. Ma Thanegi is a painter, writer, and journalist who was born and educated in Myanmar. She lives in Yangon (Rangoon) and is a contributing editor of the Myanmar Times and editor of Enchanting Myanmar, a travel magazine. She was detained for three years in Insein prison for her involvement in the 1988 uprisings as a personal assistant to Daw Aung San Suu Kyi.

Previous editions of Native Tours provided a much-needed overview and analysis of anthropology's contributions to tourism as an emerging field of study. Such a cultural perspective illuminated key ideas surrounding worldwide host–guest relations and informed discussions of political and economic influences and the impacts, both negative and positive, of tourism as one of the world's largest industries. Applying a characteristically uncluttered, authoritative writing style alongside an exceptional command of the relevant literature, Chambers updates, refines, and extends his earlier work. He retains a focus on the social, cultural, economic, and environmental consequences of tourism, and provides a framework for understanding tourism initiatives in their particular circumstances. Three detailed case studies originating in the American Southwest, the Tirolean Alps, and Belize illustrate the varied costs and benefits of tourism.

So, How Long Have You Been Native? is Alexis C. Bunten's firsthand account of what it is like to work in the Alaska cultural tourism industry. An Alaska Native and anthropologist, she spent two seasons working for a tribally owned tourism business that markets the Tlingit culture in Sitka. Bunten's narrative takes readers through the summer tour season as she is hired and trained and eventually becomes a guide. A multibillion-dollar worldwide industry, cultural tourism provides one of the most ubiquitous face-to-face interactions between peoples of different cultures and is arguably one of the primary means by which knowledge about other cultures is disseminated. Bunten goes beyond debates about who owns Native culture and has the right to "sell" it to tourists. Through a series of anecdotes, she examines issues such as how and why Natives choose to sell their culture, the cutthroat politics of business in a small town, how the cruise industry maintains its bottom line, the impact of colonization on contemporary Native peoples, the ways that traditional cultural values play a role in everyday life for contemporary Alaska Natives, and how Indigenous peoples are engaging in global enterprises on their own terms. Bunten's bottom-up approach provides a fascinating and informative look at the cultural tourism industry in Alaska.

Tourism and Indigenous Peoples is a unique text examining the role of indigenous societies in tourism and how they interact within the tourism nexus. Unlike other publications, this text focuses on the active role that indigenous peoples take in the industry, and uses international case studies and experiences to provide a global context to illustrate best practice and aid comparison. First published over ten years ago the editors, Butler and Hinch, have thoroughly revised and updated the text to bring together a new collection of contributions and case studies from recognised international authors and those with first hand experiences in this area. Divided into five main sections, the text looks at this topic under the following headings: * Involvement: Uses case studies to discuss and compare such as ‘campfire’ programmes in east Africa, and the employment of indigenous peoples as guides, amongst other cases, * Turbulence: Host guest relationships, conflicts on communities and contrasting strategies and results of tourism in indigenous villages in South Africa * Issues: Discusses issues such as authenticity, religious beliefs and managing indigenous tourism in a fragile environment * Progress: Looks at tourism education, tourism and cultural survival and examples of the policy and practice of indigenous tourism. * Conclusions: Five contributions from indigenous people on North America, Australasia and Europe to discuss implications and experiences. Each section uses international case studies from, for example, Australia, New Zealand, Nepal, Namibia, Thailand, Saudi Arabia and South America.

Now in paperback: a gripping, witty travel memoir that offers "a fascinating look at voluntourism from an Indigenous perspective" (Book Riot) "Ursula Pike's memoir is unlike any other I've read, with her perceptive, always-seeking, and lovely narrative voice." --Susan Straight, author of Mecca "This book is alive with a spirit that welcomed mine to meet it." --Elissa Washuta, author of White Magic When she was twenty-five, Ursula Pike boarded a plane to Bolivia and began her term of service in the Peace Corps. A member of the Karuk Tribe, Pike sought to make meaningful connections with Indigenous people halfway around the world. But she arrived in La Paz with trepidation as well as excitement, "knowing I followed in the footsteps of Western colonizers and missionaries who had also claimed they were there to help." In the following two years, as a series of dramatic episodes brought that tension to a boiling point, she began to ask: What does it mean to have experienced the effects of colonialism firsthand, and yet to risk becoming a colonizing force in turn? An Indian Among los Indígenas, Pike's memoir of this experience, upends a canon of travel memoirs that has historically been dominated by white writers. It is a sharp, honest, and unnerving examination of the shadows that colonial history casts over even the most well-intentioned attempts at cross-cultural aid. With masterful deadpan wit, it signals a shift in travel writing that is long overdue.