The artistic achievements of the Islamic world chronicled over fourteen centuries.

Catalogue of an exhibition held at the Art Gallery of New South Wales, Sydney, 22nd June - 23rd September 2007.

The Khalili Collection is the greatest collection of Islamic art in private hands; it is continuing to grow and improve. It contains a large and comprehensive range of Qur'anic material, covering the entire history of Qur'an production from the seventh to the twentieth century, including examples from centres as far apart as Spain and India. This is the second of four volumes cataloguing the Qur'ans in the Khalili Collection. Notable among the manuscripts in this volume is a Qur'an by the greatest calligrapher of the Middle Ages, Yaqut al-Musta`simi, which is exceptional in that it retains its original illumination. Other masterpieces include a Qur'an written in gold from twelfth-century Iraq ; the only twelfth-century Qur'an from Valencia still in private hands, and a manuscript that is possibly the earliest Qur'an to survive from India. The lavish presentation of this catalogue is combined with detailed scholarship that not only encompasses the history of the subject, but also presents in accompanying essays new findings that have been made in the course of cataloguing. The text is supported by notes, up-to-date bibliography, and index, while inscriptions are reproduced in their original languages, with English translations. Dr James is an internationally renowned authority on Arab and Persian manuscripts, and on Qur'ans in particular.

This is a lavishly illustrated presentation of the Nasser D. Khalili Collection of Islamic Art's collection of arms and armor. The items range in date from the seventh to the nineteenth centuries A.D. In avoiding the strictly typological classification of most previous catalogues of the subject, the aim is to give a full sense of the panoply of warfare: the stirrup, the drum, and the talismanic shirt were as important to the Muslim warrior as the sword and the mail shirt. David Alexander, the leading authority on Islamic arms and armor, has provided a detailed scholarly guide to this outstanding collection.

Art styles not defined by date.

This book catalogues the Khalili Collection's selection of Indian paintings produced by Muslim artists working in imperial Mughal courts, the Deccani sultanates, and the provincial cities of Oudh from the early sixteenth to the mid-nineteenth centuries.

The Nasser D. Khalili Collection contains a remarkable group of more than 600 finger rings from the Islamic world and beyond. These rings provide a rare opportunity to survey the history of this form in the Middle East and southern Asia over the last two millennia, for the oldest examples are two Hellenistic glass rings from athe second or first century BC, while the most recent dated specimen is a signet made in India in 1920. This wealth of evidence has allowed the author to present a typology of Islamic rings within a broad chronological framework, and the colour illustrations standard to the series have been supplemented by several drawings of each ring.