To a man who has earned such titles as "The Shakespeare of Hungary" and "The Glory of Hungarian Literature"; who published in fifty years three hundred and fifty novels, dramas, and miscellaneous works, not to mention innumerable articles for the press that owes its freedom chiefly to him, it seems incredible that there was ever a time of indecision as to what career he was best fitted to follow. The idle life of the nobility into which Maurus Jókay was born in 1825 had no attractions for a strongly intellectual boy, fired with zeal and energy that carried him easily to the head of each class in school and college; nor did he feel any attraction for the prosaic practice of law, his father's profession, to which Austria's despotism drove many a nobleman in those wretched days for Hungary. It was Pétofi, the poet, who was his dearest friend during the student-life at Pápa; idealism ever attracted him, and, by natural gravitation toward the finest minds, he chose the friendship of young men who quickly rose into eminence during the days of revolution and invasion that tried men's souls.

Dueling Demons endanger the enchanted land of Xanth in this delightful new fantasy adventure by the author of "Fell Swoop."

When Carlin and Loraine Restoney are invited by their grandmother to move to the Kingdom of Pespermeir to become heirs to their mysterious Uncle Casper, they don't know what to say. Despite warnings and rumors, the curious siblings soon discover the truth: their uncle is the caretaker of the mythical fethilars, flying horses long thought extinct. Around the same time, under mounting pressure of too many knights, the 5 kings announce a special tournament, to resettle the wild and untameable land of Arbocath. But Arbocath has dark secrets of it's own, which only the fethilars know how to cure. Loraine and Carlin soon find themselves fighting bandits, tending unicorns, dodging dragons, trolls, and a host of other monsters, all to care for and protect the very pregnant fethilar mare Moonbat. In addition they have to attempt the monumental task of stopping the king's tournament while their uncle is away. All the while, the foreboding Ebony Hearthrug and Swamps of Shandell silently wait...

Once upon a past. . . . Millie had been a ghost for 800 years. But now, restored by the magic of Xanth, she was again a maddeningly desirable woman. She could have had any man she wanted . . . except the one she did want, Jonathan the zombie. To grant Millie her desire, and to prove his right to rule Xanth in the future, young Magician Dor embarked on a quest for the elixir which would restore Jonathan to full life. But the potion could be found only in the past . . . so, through a magic tapestry, to the past he went, taking over the body of a barbarian warrior. The first person he encountered there was Jumper, a giant spider—a nightmare monster, but a staunch friend and much-needed ally in peril-haunted, ancient Xanth. Then Dor met Millie—800 years younger, but just as lovely. And he realized that, in his new body, he was no longer twelve years old . . .

The Romantic period saw the first generations of professional women writers flourish in Great Britain. Literary history is only now giving them the attention they deserve, for the quality of their writings and for their popularity in their own time. This collection of new essays by leading scholars explores the challenges and achievements of this fascinating set of women writers, including Jane Austen, Mary Wollstonecraft, Ann Radcliffe, Hannah More, Maria Edgeworth, and Mary Shelley alongside many lesser-known female authors writing and publishing during this period. Chapters consider major literary genres, including poetry, fiction, drama, travel writing, histories, essays, and political writing, as well as topics such as globalization, colonialism, feminism, economics, families, sexualities, aging, and war. The volume shows how gender intersected with other aspects of identity and with cultural concerns that then shaped the work of authors, critics, and readers.