From one of the world’s most prominent thinkers, an urgent warning of the threat that U.S. power poses to humanity’s future as well as a sharp indictment of both American foreign policy and the national myths that support it The Myth of American Idealism offers a timely and comprehensive introduction to the incisive critiques of U.S. power that have made Noam Chomsky a “global phenomenon,” one of the most widely known public intellectuals of all time. Surveying the history of U.S. military and economic activity around the world, Chomsky and his co-author Nathan J. Robinson vividly trace the way the American pursuit of global domination has wrought havoc in country after country – without, ironically, making Americans any safer. And they explore how dominant elites in the United States have pushed self-serving myths about this country’s commitment to “spreading democracy,” while pursuing a reckless foreign policy that served the interest of few and endangered all too many. Chomsky and Robinson range across the globe, offering penetrating accounts of Washington’s relationship with the Global South, its role in the Israeli-Palestinian conflict, and the wars in Iraq and Afghanistan –all justified with noble stories about humanitarian missions and the benevolent intentions of American policy makers. The same kinds of myths that have led to repeated disastrous wars, they argue, are now driving us closer to wars with Russia and China that imperil humanity’s future. Examining nuclear proliferation and climate change, they show how U.S. policies are continuing to exacerbate global threats. For well over half a century, Noam Chomsky has committed himself to exposing governing ideologies and criticizing his country’s unchecked use of military power. At once thorough and devastating, urgent and provocative, The Myth of American Idealism offers a highly readable entry to the conclusions he has come to after a lifetime of thought and activism.

The idea that the United States is destined to spread its unique gifts of democracy and capitalism to other countries is dangerous for Americans and for the rest of the world, warns Godfrey Hodgson in this provocative book. Hodgson, a shrewd and highly respected British commentator, argues that America is not as exceptional as it would like to think; its blindness to its own history has bred a complacent nationalism and a disastrous foreign policy that has isolated and alienated it from the global community. Tracing the development of America’s high self regard from the early days of the republic to the present era, Hodgson demonstrates how its exceptionalism has been systematically exaggerated and—in recent decades—corrupted. While there have been distinct and original elements in America’s history and political philosophy, notes Hodgson, these have always been more heavily influenced by European thought and experience than Americans have been willing to acknowledge. A stimulating and timely assessment of how America’s belief in its exceptionalism has led it astray, this book is mandatory reading for its citizens, admirers, and detractors.

Affluence, autonomy, safety, and power—the central values of the American dream. But are they compatible with Jesus' command to love our neighbor as ourselves? In essays grouped around these four values, D. L. Mayfield asks us to pay attention to the ways they shape our own choices, and the ways those choices affect our neighbors.

"A compelling, massively researched psychoanalytic study of the inability to mourn in Melville, Twain and Hemingway, and its roots in maternal loss".--Ann Douglas, author of TERRIBLE HONESTY: MONGREL MANHATTAN IN THE 1920S. "This insightful text is recommended for all students of American culture and literature".--CHOICE.

This work argues that American literary scholarship enshrines a reactionary vision of history, of narrative, and of America itself. Carafiol examines the way idealist assumptions have been essential to doing American literary history and unwraps the implications of that symbiosis for current debates about the aims and methods of literary history in general. Carafiol directs his critique not only at traditional approaches to American literature but also at the most influential recent efforts by New Historicists and cultural critics to revise that tradition. Reconsidering the debate between ahistorical and historical models of literary study, he argues that works by such writers like Emerson and Thoreau subvert the claims of critics on both sides. Such writing is important, he proposes, not as timeless art or as social document, but as a voice that can speak powerfully in contemporary conversations, challenging literary critics in all fields to reconsider their critical assumptions and professional practices.

The first book-length critical study of the black experience in the Vietnam War and its aftermath, this text interrogates the meaning of heroism based on models from African and African American expressive culture. It focuses on four novels: Captain Blackman (1972) by John A. Williams, Tragic Magic (1978) by Wesley Brown, Coming Home (1971) by George Davis, and De Mojo Blues (1985) by A. R. Flowers. Discussions of the novels are framed within the historical context of all wars prior to Vietnam in which Black Americans fought. The success or failure of the hero on his identity quest is predicated upon the extent to which he can reconnect with African or African American cultural memory. He is engaged therefore in “re-membering,” a term laden with the specificity of race that implies a cultural history comprised of African retentions and an interdependent relationship with the community for survival. The reader will find that a common history of racism and exploitation that African Americans and Vietnamese share sometimes results in the hero’s empathy with and compassion for the so-called enemy, a unique contribution of the black novelist to American war literature.