The trailers for Star Wars: The Force Awakens made a strong impression on fans. Many were excited by what they saw as a return to the spirit of George Lucas’s 1977 creation. Others—including several white supremacy groups—were upset and offended by key differences, most notably the shift away from a blond, blue-eyed, male protagonist. When the film was finally released, reactions similarly seemed to hinge on whether or not The Force Awakens renewed the “mythic” aspects of the original trilogy in ways that fans approved of. The Myth Awakens examines the religious implications of this phenomenon, considering the ways in which myth can function to reinforce “traditional” social and political values. In their analyses the authors of this book reflect on fan responses in relation to various elements of (and changes to) the Star Wars canon—including toys, video games, and novels, as well as several of the films. They do so using a variety of critical tools, drawing from studies of gender, race, psychology, politics, authority, music, ritual, and memory.

The trailers for Star Wars: The Force Awakens made a strong impression on fans. Many were excited by what they saw as a return to the spirit of George Lucas's 1977 creation. Others--including several white supremacy groups--were upset and offended by key differences, most notably the shift away from a blond, blue-eyed, male protagonist. When the film was finally released, reactions similarly seemed to hinge on whether or not The Force Awakens renewed the "mythic" aspects of the original trilogy in ways that fans approved of. The Myth Awakens examines the religious implications of this phenomenon, considering the ways in which myth can function to reinforce "traditional" social and political values. In their analyses the authors of this book reflect on fan responses in relation to various elements of (and changes to) the Star Wars canon--including toys, video games, and novels, as well as several of the films. They do so using a variety of critical tools, drawing from studies of gender, race, psychology, politics, authority, music, ritual, and memory.

Star Wars: Batu In-World Fairytales Book

AcknowledgementsIntroductionPart I: "e;I'm making this up as I go"e;: Lawrence Kasdan and Raiders of the Lost ArkChapter 1. Smith and Jones: Discourse Analysis of the Raiders of the Lost Ark Story ConferenceChapter 2. Visual Language in the Raiders of the Lost Ark ScreenplayPart II: Kasdan the Director: Developing Style(s)Chapter 3. Body Heat: Heightened Style in the Neo-NoirChapter 4. Classical Structure in the "e;Perfect Ensemble"e; of The Big ChillPart III: Voice of the Largest GenerationChapter 5. Altruism and Otherness in The Big Chill, The Accidental Tourist, and Grand CanyonChapter 6. Cowboys, Aliens, and Sixtysomethings: Age and Nostalgia in Kasdan's Later FilmsPart IV: Influences, Without and WithinChapter 7. From Noir to Kurosawa: Allusion and Homage in Lawrence Kasdan's FilmsChapter 8. Kasdan's Collaborations: Creation and PerformancePart V: A Long Time in a Galaxy Far, Far AwayChapter 9. From Star Wars to Saga: Lawrence Kasdan and The Empire Strikes BackChapter 10. Revenge of the Monomyth: Reclaiming the Hero's Journey in Return of the JediChapter 11. A New Hope in The Force AwakensChapter 12. A Changed Man: Solo and BeyondChapter 13. An Interview with Lawrence KasdanLawrence Kasdan: Writing and Directing CreditsFilmographyBibliography

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

This volume seeks to show how the philosophy of Plato relates to the literary form of his discourse. Myth is one aspect of this relation whose importance for the study of Plato is only now beginning to be recognized. Reflection on this topic is essential not only for understanding Plato’s conception of philosophy and its methods, but also for understanding more broadly the relation between philosophy and literature. The twenty chapters of this volume, contributed by scholars of diverse backgrounds and approaches, elucidate the various uses and statuses of Platonic myths in the first place by reflecting on myth per se and in the second place by focusing on a specific myth in the Platonic corpus.