Following the huge success of THE MEANING OF THINGS and THE REASON OF THINGS, a third collection of bestselling essays from Britain's top philosopher. 'Human genius has done much, and promises much, in the way of removing the mystery from many things in our world; at the same time it recognises and honours the mystery in things too.' In this collection A.C. Grayling extends the range of his previous two books to show how much understanding people can gain about themselves and their world by reflecting on the lessons offered by science, the arts (including literature) and history. Covering subjects as diverse as Jane Austen's EMMA, the Rosetta Stone, Shakespeare, the Holocaust, quantum physics, Galileo, and even alien abductions, A..C. Grayling's latest collection is a rich source for reflection and contemplation over the mysteries of life.

In The Mystery of Things, Christopher Bollas takes the reader right to the heart of psychotherapy, examining the mysterious aspects of the self that are revealed by analysis. The method of enquiry at the heart of psychoanalysis, that is, free association, runs contrary to everything that we are taught is the logical, rational, scientific way to acquire data. Yet it is only through using such an apparently illogical and subversive method that the pathological structures in thinking can be penetrated and the self underneath revealed and worked with by the analyst. Christopher Bollas focuses on the nature and effects of the free associative process. Using clinical studies, he highlights how aspects such as mental illness, and creative or artistic acts can reveal much about the self.

She’s sworn to solve an unthinkable theft, but her promise could get her killed. Can a master of design unpick a nuptial nightmare?

Wedding planner Adrielle Pyper believes wholeheartedly in happily ever after. Desperate for a fresh start since the horror of her best friend’s murder, she makes the move to a posh resort town and revels in attracting famous patrons. But she fears the honeymoon is over when someone steals a priceless imported dress…

With her new celebrity clients’ marital bliss at risk, the sharp-minded beauty takes her own vow to unravel the thread of the gown’s glittering secret. But with irresistible hunks in every pew and terrifying threats delivered to her door, her keen eye for clues could lead her to a deadly altar.

Can Adrielle crack the case before she ties a fatal knot?

Diamond Rings Are Deadly Things is the delightful first book in the Wedding Planner cozy mystery series. If you like heart-racing romance, thrilling twists, and heroines strong in snark, then you’ll love Rachelle J. Christensen’s charming tale.

Buy Diamond Rings are Deadly Things to undo a crooked engagement today!

Revised and Expanded Edition of The Secret of Shakespeare Reveals the full scope of Shakespeare's plays as sacred visionary dramas, illuminating the bard's greatest works and the man behind them • Reveals how, through the use of esoteric symbol and form, Shakespeare's plays mirror the inner drama of the journey of all souls • Conveys a heightened understanding of the plays through examining the theatrical rendering of their texts Through his study of such plays as Hamlet, Othello, MacBeth, and King Lear, Lings supplies expert and inspiring guidance to the beautifully wrought words and worlds of William Shakespeare. Lings's particular genius lies in his ability to convey, as perhaps no one else has ever done, the theatrical renderings of these texts, leaving readers with deep and lasting impressions not only of these masterpieces of dramatic artistry, but of the extraordinary man behind them as well.

It is the year 4022; all of the ancient country of Usa has been buried under many feet of detritus from a catastrophe that occurred back in 1985. Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.

Philosophers, both western and eastern, have long been divided between 'humanists', for whom 'man is the measure of things', and their opponents, who claim that there is a way, in principle knowable and describable, that the world anyway is, independent of human perspectives and interests. The early chapters of The Measure of Things chart the development of humanism from medieval times, through the Renaissance, Enlightenment and Romantic periods, to its most sophisticated, twentieth-century form, 'existential humanism'. Cooper does not identify this final position with that of any particular philosopher, though it is closely related to those of Heidegger, Merleau-Ponty and the later Wittgenstein. Among the earlier figures discussed are William of Ockham, Kant, Herder, Nietzsche and William James. Having rejected attempts by contemporary advocates of modest or non-metaphysical realism to dissolve the opposition between humanism and its 'absolutist' rival, Cooper moves on to an adjudication of that rivality. Prompted by the pervasive rhetoric of hubris that the rivals direct against one another, he argues, in an original manner, that the rival positions are indeed guilty of lack of humility. Absolutists - whether defenders of 'The Given' or scientific realists - exaggerate our capacity to ascend out of our 'engaged' perspectives to an objective account of the world. Humanists, conversely, exaggerate our capacity to live without a sense of our subjection to a measure independent of our own perspectives. The only escape, Cooper maintains, from the impasse reached when humanism and absolutism are both rejected, lies in a doctrine of mystery. There is a reality independent of 'the human contribution', but it is necessarily ineffable. Drawing in a novel way upon the Buddhist conception of 'emptiness' and Heidegger's later writings, the final chapters defend the notion of mystery, distinguish the doctrine advanced from that of transcendental idealism, and propose that it is only through appreciation of mystery that measure and warrant may be provided for our beliefs and conduct.

“An elegant and accessible” investigation of quantum mechanics for non-specialists—“highly recommended” for students of the sciences, sci-fi fans, and anyone interested in the strange world of quantum physics (Forbes) Rules of the quantum world seem to say that a cat can be both alive and dead at the same time and a particle can be in two places at once. And that particle is also a wave; everything in the quantum world can described in terms of waves—or entirely in terms of particles. These interpretations were all established by the end of the 1920s, by Erwin Schrödinger, Werner Heisenberg, Paul Dirac, and others. But no one has yet come up with a common sense explanation of what is going on. In this concise and engaging book, astrophysicist John Gribbin offers an overview of six of the leading interpretations of quantum mechanics. Gribbin calls his account “agnostic,” explaining that none of these interpretations is any better—or any worse—than any of the others. Gribbin presents the Copenhagen Interpretation, promoted by Niels Bohr and named by Heisenberg; the Pilot-Wave Interpretation, developed by Louis de Broglie; the Many Worlds Interpretation (termed “excess baggage” by Gribbin); the Decoherence Interpretation (“incoherent”); the Ensemble “Non-Interpretation”; and the Timeless Transactional Interpretation (which theorized waves going both forward and backward in time). All of these interpretations are crazy, Gribbin warns, and some are more crazy than others—but in the quantum world, being more crazy does not necessarily mean more wrong.