Shows that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets—being derived from the three primary tonal sounds/vowels ; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs ;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more. This book is divided into 10 chapters. Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt—as being the SOURCE of all languages throughout the world. Chapter 2: The Seamless Language and/of Music covers the unity of musical tones and Egyptian alphabet as well as the intimacy between language/speech/vocals and music in the Egyptian system. Chapter 3: The Human Vocal Instrument covers the details of the human vocal generating system and its equivalence in musical instruments. Chapter 4: The Three Primary Tonal Sounds covers the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds. Chapter 5: The Musical/Tonal/Tonic Alphabet covers the letters of the Egyptian alphabet being derived from the three primary tonal sounds/vowels as well as the utilization of alphabet for musical instruments tonal notations. Chapter 6: Duality of Letters/Musical Tones shows the dual nature of alphabetical letters and musical tones. Chapter 7: The "Atom" of Musical/Vocal Sounds covers the fundamentals of generative phonology and the nature of the four sound variation of each letter; and its exact equivalence in musical notes. Chapter 8: The Musical Rhythmic Sound Segmentation covers the orderly sound segmentation in musical flow and its equivalence in syllables stream—in all variations of length, duration, stress, junctures, boundaries, etc. Chapter 9: Harmonic/Rhythmic Word Formation/Morphology [Musical Triad] covers the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs. Chapter 10: Tonal/Musical Sentences & Their Types/Various Forms [Themes and their variations] covers the exact similarity between musical structural forms and sentence structures in grammar, syntax, semantics, functions and forms, etc.

Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels/sounds, and the triadic musical/linguistic core. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units. Chapter 7: The Musical Measuring Unit will cover how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones—east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning. Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties will cover the overall tone system, an example of a scale based on the cyclic framework and another based on the divisive framework. Chapter 9: Modes and Musical Structural Forms will cover the musical ethos—moods and modes and the overall basic design characteristics of modes. Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human's generating (vocal) sounds and its equivalent in the musical instruments. Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; significance of musicality in Ancient Egyptian literature; utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllables stream. Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables. Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings; as well as the primary writing components of lyrical/musical texts. Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 16: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 17: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dor-ian musical suites. Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.

This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets—being derived from the three primary tonal sounds/vowels ; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs ;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more.

Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels/sounds, and the triadic musical/linguistic core. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units. Chapter 7: The Musical Measuring Unit will cover how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones—east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning. Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties will cover the overall tone system, an example of a scale based on the cyclic framework and another based on the divisive framework. Chapter 9: Modes and Musical Structural Forms will cover the musical ethos—moods and modes and the overall basic design characteristics of modes. Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human's generating (vocal) sounds and its equivalent in the musical instruments. Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; significance of musicality in Ancient Egyptian literature; utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllables stream. Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables. Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings; as well as the primary writing components of lyrical/musical texts. Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 16: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 17: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dor-ian musical suites. Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.

The Egyptian Alphabetical language is the MOTHER and origin of all languages; and how it was diffused to become other 'languages' throughout the world. This book will show how the Egyptians had various modes of writings for various purposes , and how the Egyptian modes were falsely designated as "separate languages" belonging to others. ;the falsehood of having different languages on the Rosetta (and numerous other like) Stone; evaluation of the "hieratic' and "demotic" forms of writing. The book will also highlight how the Egyptian Alphabetical language is the MOTHER and origin of all languages (as confirmed by all writers of antiquities); and how this one original language came to be called Greek, Hebrew, Arabic and other 'languages' throughout the world—through deterioration of sound values via 'sound shifts', as well as foreign degradation of the original Egyptian writing forms. The book is divided into seven parts with a total of 24 chapters, as follows: Part I. Denial, Distortion and Diversion has 3 chapters—Chapters 1 to 3: Chapter 1: The Archetypal Primacy of The Egyptian Alphabet will show the role and remote history of alphabetical letter-forms writing in Ancient Egypt prior to any other place on earth. Chapter 2: The Concealment of The Supreme Egyptian Alphabet will show the incredible western academia scheme to conceal the Ancient Egyptian alphabetical letter-forms from its prominent position in the history of writing. Chapter 3: The Diversion of A Proto-Sinaitic "Phoenician Connection" will uncover all the facts about having "Phoenicians" as the inventor of alphabets on an Egyptian soil! Part II. Formation and Forms of Egyptian Alphabetic Writings has 6 chapters—Chapters 4 to 9: Chapter 4: Genesis of Egyptian Alphabetic Letters/Writing will refute the unfounded obsession that alphabetical letter-forms were derived from pictures; and the differences between ideograms, signs and alphabetical writing. Chapter 5: The Egyptian Sound Organization of Letters will cover the primary three vowels as the originators of all vowel sounds and associated consonants. Chapter 6: The Egyptian Alphabetic Writing Styles will sort out present common confusion of Ancient Egyptian styles of writing and set the two primary styles as uncials and cursive. Chapter 7: The Profession of Egyptian Scribes will cover the range of Egyptian writings; the profession of scribes; writing surfaces & instruments; and documentations of official missions by Egyptian scribes. Chapter 8: Multiple Writing Forms of a Single Document will cover the commonality of have several styles of same language on a single document; and examples of multiple writing forms on Egyptian magical divination papyri as well as on Egyptian stelae. Chapter 9: Multiple Writing Forms of The Rosetta Stone will expose the total misrepresentation of the three Egyptian writing forms on the Rosetta Stone as incorrectly being Egyptian and "Greek"! Part III. How The One World Language Became The Many has five chapters—Chapters 10 to 14: Chapter 10: The Beacon of the Ancient World will cover Egyptian settlements throughout the world; Ancient Egypt and The Seven Seas; Ancient Egypt as the World economic engine; the dominant Egyptian language; and the Egyptian Mother language of all language families. Chapter 11: Common Characteristics of Ancient Egyptian Alphabetic Writing System will detail such characteristics. Chapter 12: Letter-forms Divergence of World Alphabets From Its Egyptian Origin will cover the apparent variations of alphabetical letter-forms in world alphabets from its Egyptian origin; as well as an overview of the archetypal 28 Egyptian alphabetical letter-forms and their divergence into other regions of the world. Chapter 13: Sound Divergence of World Alphabets From Its Egyptian Origin will cover the systematic sound variations; as well as causes and effects of sound divergence from its Egyptian origin into other world alphabets. Chapter 14: Cavalier Designations of New Languages will cover how a new language has been awarded as a symbol of identity for winners of wars and new religions; as well as how "new" languages were fabricated from Egyptian scripts. Part IV. The Primary Linguistic Characteristics of The Egyptian Language has one chapter—Chapter 15: Chapter 15: The Primary Linguistic Characteristics of The Egyptian Language will cover the four pillars of a language; as well as an overview of the Egyptian prototypal interconnected lexicon, grammar and syntax. Part V. Out of Egypt—Diffusion Patterns To Asia and Africa has 5 chapters—Chapters 16 to 20: Chapter 16: Hebrew and Moses of Egypt will show the Egyptian origin of Hebrew and the absence of any linguistic distinction between Hebrew and the Ancient Egyptian language. Chapter 17: The Ancient Egyptian Hegemony of Asiatic Neighbors will discuss the found scripts in North and South Arabia; and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 18: The African Connections will discuss the history and details of the Ethiopic language(s) and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 19: From Egypt To India and Beyond will cover the two primary inscription styles in the Indian Sub-Continent; and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 20: From Egypt to The Black Sea Basin [Georgia & Armenia] will cover affinities of languages from Central Asia To the Black Sea Basin; Ancient Egyptian settlements in the Black Sea Basin; Pre-existence of "Armenian/Georgian" alphabets in Ancient Egypt; and sameness of Ancient Egyptian alphabetical writing system in later "Georgian & Armenian Languages". Part VI. Out of Egypt—Diffusion Patterns To Europe has two chapters—Chapters 21 & 22: Chapter 21: Greek: A Shameless Linguistic Heist will cover role of Greeks in Ancient Egypt as hired security guards; pre-existence of the proclaimed "Greek" alphabetical letter-forms in the Ancient Egyptian system; robbing and postdating Egyptian scripts to rename them as "Greek"; and the absence of any linguistic distinction between Greek and the Ancient Egyptian language. Chapter 22: The European Languages will cover Etruscan, Latin and Hispanic languages; and the absence of any linguistic distinction between them and the Ancient Egyptian language. Part VII. The Ancient Future of The Universal Language has two chapters—Chapters 23 & 24: Chapter 23: Egyptian Alphabetical Vocalic Language [Past, Present & Future] will cover the state of the vocalic and written language in Egypt and the minor changes that occurred over thousands of years. Chapter 24: Renaissance & Seeking the Universal Language—The Ancient Future will cover an overview of the English language's inconsistent phonetic writing system; Renaissance search for a Universal Language; and how such a language, by all accounts is the [Ancient] Egyptian Language.

This book reveals several aspects of the Ancient Egyptian culture, such as the very remote antiquities of Egypt; the Egyptian characteristics and religious beliefs and practices; their social/political system; their cosmic temples; the richness of their language; musical heritage and comprehensive sciences; their advanced medicine; their vibrant economy; excellent agricultural and manufactured products; their transportation system; and much more. This Expanded Edition of the book consists of four Parts with a total of 16 Chapters, as well as three Appendices. Part I : The Peoples of Egypt consists of four chapters 1 through 4, as follows: Chapter 1: The Beginning covers the age of the Egyptian antiquities being at least 39000 years, in accordance with archaeological, historical and physical evidence; the Age of Leo and the Sphinx; as well as the age of the Egyptian Sothic calendar which is by far the most accurate calendar ever. Chapter 2: The Egyptian Populous covers the roots and characteristics of the [Ancient]Egyptian people, their housings, their settlements throughout the world; and the roles of foreigners in the history of Ancient Egypt. Chapter 3: The Most Religious covers Egyptian cosmology; monotheism and polytheism; animal symbolism ,creation of the universe, the concept of Maat; and the spread of the Ancient Egyptian religion throughout the world under new "names". Chapter 4: The Social/Political Order covers the basis and applications of the matrilineal/matriarchal principles; the matrilocal communities; the Egyptian grassroots republic system; the dual overseeing/administration governing system; and the documentation order of all matters in the Egyptian society Part II : The Cosmic Correlations consists of three chapters 5 through 7, as follows: Chapter 5: As Above, So Below covers the principles and applications of cosmic consciousness in the life of the Egyptians; and the cyclical renewal festivals as a form of such principles Chapter 6: The Pharaoh, The Cosmic Link covers the true rule of the Egyptian pharaoh as a Master Servant; how did the people rule; and much more. Chapter 7: Egyptian Temples provides a quick overview of the real function/objective of the Egyptian temple; the harmonic design parameters; and much more. Part III : The Learned Egyptian consists of five chapters 8 through 12, as follows: Chapter 8: The Divine Language provides a quick overview of the modes of writing in Ancient Egypt -- the alphabetical form of writing and the imagery pictorial metaphysical symbols/script ; as well as the cultured aspects of the Egyptian alphabetical language Chapter 9: The Egyptian Musical Heritage provides a quick overview of its musical heritage; the musical orchestras; the wide range of musical instruments; as well as dancing and ballet in Ancient Egypt. Chapter 10; Health and Medicine provides a quick overview about the international highest regards for Egyptian medicine; its medical profession; contents of the some Egyptian medical papyri regarding diagnosis, cures and treatments of various ailments, surgeries; and the wide range of prescriptions Chapter 11: Astronomy covers the astonishing accurate astronomical knowledge and practices such as astronomical observations and recordings, the zodiac cycle,etc Chapter 12: Geometry and Mathematics covers a quick overview of the subjects of sacred geometry and natural science, geodesy, mathematics & numerology; as well as their knowledge and applications of the sacred “ratios” of Pi and Phi. Part IV : The Vibrant Economy consists of four chapters 13 through 16, as follows: Chapter 13: The Cultivating Culture covers the outstanding application of dry-weather farming techniques; societal division of labor; and the farming community Chapter 14; The Manufacturing Industries covers The Egyptian knowledge of metallurgy & metalworking; their golden silver (electrum) products; their copper and bronze products; their glazing (glass and glazing) products; their iron products; their mining activities; miscellaneous products such as woodwork; fabrics; pottery; leather; paper; as well as some miscellaneous technological applications Chapter 15: Transportation Infrastructure covers a quick overview of the various high quality types of the Egyptian ships; major Egyptian coastal harbors; land transportation; as well as patrons and shrines of travel Chapter 16: The Market Economy covers the workings of the Egyptian market economy; business transactions; Egyptian exports (goods and services); Egyptian imports; as well as the rise and fall of international commerce, that was tied to Ancient Egypt as the economical engine of the ancient world. The contents of the three appendices are evident from their titles; being: Appendix A: Photographs -- The Rising Valley Appendix B: Photographs -- The Age of Leo and The Sphinx Appendix C: Photographs -- Astronomy

A short concise overview of some aspects of the Ancient Egyptian civilization that can serve us well nowadays in our daily life no matter where we are in this world. This book is intended to provide a short concise overview of some aspects of the Ancient Egyptian civilization that can serve us well nowadays in our daily life no matter where we are in this world. The book covers matters such as self empowerment, improvements to present political, social, economical and environmental issues, recognition and implementations of harmonic principles in our works and actions, etc. Topics presented cover: - Our place in the universe and its operational system. - Understanding oneself and how to sort out each's internal energies to live happy and healthy. - Problems and old [Egyptian] remedies of political, social and economical conditions. - How to achieve peaceful coexistence between peoples, land and natural resources; which also deal with having a clean environment. - Understanding and implementing harmonic principles into building construction. - Appreciation of art, its functions and applications in harmonic fashion. - The timeless nature of the Ancient Egyptian civilization.