When a musician dies, it is rarely the end of their story. While death can propel megastars to even further success, artists overlooked in their lifetime might also find a new type of fame. But a badly timed move or the wrong deal can see the artist die all over again. Colonel Tom Parker, the former carnival huckster, understood this high-wire act implicitly and the posthumous career of Elvis Presley has provided a template for everyone else. Estates have two jobs: keeping the artist's name alive and ensuring they continue to make money. These can sometimes be compatible goals, but often they spark a tension that is unique in the music business. Drawing on interviews with those running music estates as well as music lawyers, record company executives and archivists, Leaving the Building reveals how the music industry is constantly striving to perfect the business of death.

A lively and lyrical picture book jaunt from actor and author John Lithgow! Oh, children! Remember! Whatever you may do, Never play music right next to the zoo. They’ll burst from their cages, each beast and each bird, Desperate to play all the music they’ve heard. A concert gets out of hand when the animals at the neighboring zoo storm the stage and play the instruments themselves in this hilarious picture book based on one of John Lithgow’s best-loved tunes.

During the British Invasion in the mid-sixties, the world turned and looked at London. That's how it remained, until four Mancunian musicians opted to plough their hard-earned cash back into the city they loved in the form of proper recording facilities. Eric Stewart of The Mindbenders and songwriter extraordinaire Graham Gouldman created Strawberry Studios; Keith Hopwood and Derek Leckenby of Herman's Hermits crafted Pluto. Between them, they facilitated a musical revolution that would be defined by its rejection of the capital. This book tells the story of Manchester music through the prism of the two studio's key recordings. Of course, that story inevitably takes in The Smiths, Joy Division, The Fall, and The Stone Roses. But it's equally the story of `Bus Stop' and `East West' and `I'm Not in Love'. Above all, it's the story of music that couldn't have been made anywhere else but Manchester.

My First Classical Music Book is a delightfully colorful introduction to classical music, designed to fire the imagination of children aged 5-7 years. Readers are asked to think about the different places in which we might hear music. Then, each of the major composers and musical instrument families are introduced and brought to life in a vivid and enchanting way. Throughout the book, children are referred to the accompanying audio CD so that they can hear examples as they read. This is the most exceptional book of its kind, providing an absorbing experience for both eyes and ears.

This is a study of events and their place in our language and thought. The author discusses what kind of item an event is, how the language of events works and how these two themes are interrelated. He argues that most of the supposedly metaphysical literature on events is really about semantics of their names, and that the true metaphysic of events - known by Leibniz and rediscovered by Jaegwon Kim - has not been universally accepted because it has been obscured by a false semantic theory.

LEAVING CALIFORNIA compiles 76 poems that merge the line of harsh reality and paranoia, beauty and reflection, and the wisdom of the escape artist. There are amends and curses amongst stories that one can only tell once they've seen everything and everything collapse. A brilliant work of true transformation, these poems also chronicle Lanegan's exit from California for the literal greener pastures of Ireland. As someone who has survived it all, he must have known this move was the next level of perseverance. There's a pacing anxiety leading up to the move, turbulence in the transition, and a calm consideration once he's settled. In many ways this is part two of Lanegan's best selling 2020 novel, Sing Backwards and Weep, where loose ends are tied and others left for dead. Intro by Wesley Eisold. Poetry.