A noted sculptor turns her talents to poetry in a collection that explores the satisfactions and complications of being a Pueblo Indian woman in the late twentieth century

“Oates is just a fearless writer…with her brave heart and her impossibly lush and dead-on imaginative powers.” —Los Angeles Times “[An] extraordinarily intense, racking, and resonant novel.” —Booklist (starred review) One of the most acclaimed writers in the world today, the inimitable Joyce Carol Oates follows up her searing, New York Times bestselling memoir, A Widow’s Story, with an extraordinary new work of fiction. Mudwoman is a riveting psychological thriller, taut with dark suspense, that explores the high price of repression in the life of a respected university president teetering on the precipice of a nervous breakdown. Like Daphne DuMaurier’s gothic masterwork, Rebecca, and the classic ghost story, The Turn of the Screw, by Henry James, Oates’s Mudwoman is a chilling page-turner that hinges on the power of the imagination and the blurry lines between the real and the invented—and it stands tall among the author’s most powerful and beloved works, including The Falls, The Gravedigger’s Daughter, and We Were the Mulvaneys.

Living the dream of the endless vacation “Anyone who has ever dreamed of leaving the city and taking their lives back to nature (and who hasn't?) will find much to contemplate in this warm and hilarious tale of rural misadventure and small town quirk, even if they have never chased a goat in a bathing suit or called 911 because there were cows in the road. Stimson's voice is endearing: both in its self-deprecation and its rapture, as she sings an only slightly conflicted love song to Vermont.” —Pam Houston, author of Contents May Have Shifted “Taking a plunge that wimpier sorts (i.e. most of us) only fantasize about, Ellen Stimson and her family packed up their house in St. Louis and threw themselves into a wildly different life in small-town Vermont. Armed with the passion-and haplessness-of wide-eyed newcomers they rescue goats and adopt chickens, do battle with skunks and bats and falling ice, and, most disastrously, buy a black hole of a general store. Through it all they manage to retain their love for their adopted home as well as one another. This is a tale to which all the cliché words absolutely apply: hilarious, heartwarming, rollicking, and, most of all, rich in the real stuff of life.” —Julia Reed, author of But Mama Always Put Vodka in Her Sangria!

Longlisted for William Hill Sports Book of the Year 2020 'This pioneering memoir . . . engagingly balances the highs of captaincy and grand slams with striking emotional honesty as to her regrets' Guardian Books of the Year 'Her struggle is that of women’s rugby and it is told here with great honesty' Sunday Times Books of the Year Catherine Spencer was the captain of the England women’s rugby team for three years. She scored eighteen tries for England, won six of the eight Six Nations competitions she took part in, and captained her team to three championship titles, a European cup, two Nations Cup tournament victories and the World Cup final held on home soil in 2010, which thrust women’s rugby into the limelight. All of this while holding down a full time job, because the women’s team, unlike the men’s, did not get paid for their sport. Mud, Maul, Mascara is an effort to reconcile alleged opposites, to show the woman behind the international sporting success. Painfully honest about the mental struggles Catherine faced during, and after, her career as an elite athlete, it is also warm, funny and inspirational – a book for anyone who has ever had a dream, or self-doubt, or a yearning for a really good, mud-proof mascara.

Aba Zytka Jones lives with her dad in an odd little house that hangs over the Fraser River. Her mom took off a year ago. In his own way, so did her dad. She doesn't fit in, never has, and she has questions.

4e de couv.: The Silence of the Women, Bamana Mud Clothes leads the reader into the compelling world of Bamana women, examined through the study of a traditional textile, mud cloth or bógólanfini. The book treats mud clothes as a complex art form, illuminating the hidden cultural testimony written into its pattern. It reveals women's silent visual commentary on the events that dominate their lives: excision, arranged marriage, childbirth and death. The silence of the Women is a decisive contribution to our understanding of female knowledge and the ways in which this knowledge is preserved and transmitted to the next generation. Combining art history with anthropology, Sarah Brett-Smith reconstructs with exquisite subtlety and patience the existence of a savoir-faire that has had to deny its own existence. Written as a pendant to an earlier book, the Making of Banama Sculpture, it leads us into an artistic and emotional understanding of the shadowy world and the pregnant silences of Banama women.

The women’s fiction debut of USA-Today bestselling author Edie Claire. Once upon a hot, lazy summer at Indian Lake, Pennsylvania, two giggling twelve-year-old girls swore to stay best friends forever. But some promises are hard to keep. When hospital social worker Teagan Hansen is called to the bedside of a Jane Doe who has been beaten and left for dead with no ID and no memory, she expects to be dealing with a victim of domestic violence. The last thing she expects is to look into the eyes of the childhood friend who disappeared abruptly from her life fourteen years before. Concussed, broken, and hypothermic, Jamie can’t remember her own name, much less what personal circumstances brought her to such tragedy. But as the pieces of her memory begin to fit together, she does remember how much her friendship with Teagan meant to her through the long years of foster care, hard work, and heartbreak that followed that one magical summer. As the indomitable Teagan vows to help Jamie get back on her feet again, the women’s bond strengthens anew. But with Jamie’s life under threat from a man she can’t remember -- a man who is determined to find her again before she does -- Teagan’s loyalties to her friend, her profession, and her new marriage are tested to their limits. And when the women realize that their pasts have been intertwined far more deeply than either of them knew, the fate that separated them once before threatens to tear apart them again. And this time, it could be forever. Praise for romantic fiction by Edie Claire: LONG TIME COMING “Emotionally gripping, suspenseful and superb… I was held in wonderment over much of this story and realized early on to expect the unexpected. This is a story of trust, love, friendship and healing. Ms. Claire is an author I hope to see more of in the future. If Long Time Coming is any indication of her writing talent, I will be first in line at the bookstores to get more of her work. This is a positively splendid tale from start to finish and is highly recommended.” Reviewer’s Choice Award -- Road to Romance “Two words. ABSOLUTELY FANTASTIC! Edie Claire has written a wonderful novel about friendship, love, guilt and death… Utterly riveting.” Rating: 10/10 -- Contemporary Romance Writers MEANT TO BE “One of the best books I have read this year... An element of suspense runs through the pages, and the endearing tale builds to a crescendo of excitement and thrill while warming the heart. Meant To Be is a powerful story of love, healing, discovery and truth... I closed the covers wishing I could stay inside the green world of Meara and Fletcher's mountain. Ms. Claire has woven a tale that touched my soul and will live as a cherished keeper to read again and again. I am pleased to award Meant To Be our finest honor, RRT's Perfect 10.” Perfect 10 Award -- Romance Reviews Today “Meant to be written, read and remembered in your heart decades after you've turned the last page. Edie Claire is an exceptional author and keeper of the heart.” -- Writers Room Magazine