In the time of a devastating pandemic, seven women and three men withdraw to a country estate outside Florence to give themselves a diversion from the death around them. Once there, they decide to spend some time each day telling stories, each of the ten to tell one story each day. They do this for ten days, with a few other days of rest in between, resulting in the 100 stories of the Decameron. The Decameron was written after the Black Plague spread through Italy in 1348. Most of the tales did not originate with Boccaccio; some of them were centuries old already in his time, but Boccaccio imbued them all with his distinctive style. The stories run the gamut from tragedy to comedy, from lewd to inspiring, and sometimes all of those at once. They also provide a detailed picture of daily life in fourteenth-century Italy.

Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches.

During the medieval and early modern periods the Welsh diocese of St Davids was one of the largest in the country and the most remote. As this collection makes clear, this combination of factors resulted in a religious life which was less regulated and controlled by the institutional forces of both Church and State. Addressing key ideas in the development of popular religious culture and the stubborn continuity of long-lasting religious practices into the modern era, the volume shows how the diocese was also a locus for continuing major religious controversies, especially in the nineteenth century. Presenting a fresh view of the Diocese of St Davids since the Reformation, this is the first new account of religion and society in over a century. It is, moreover, not one which is written primarily from an institutional perspective but from that of wider society. As well as a chronological treatment, giving an overview of the history of religion in the diocese, chapters address key themes, including a study of religious revivals which originated within the borders of the diocese; consideration of popular and elite education, including the contribution of Bishop Burgess's pioneering institution at Lampeter (the first degree awarding institution in England and Wales after Oxford and Cambridge); the relationship of the Church to the revival of Welsh cultural identity; and new reflections on the agitation and realisation of disestablishment of the Church as it affected Wales. As such, this pioneering study has much to offer all those with an interest, not only in Welsh history, but ecclesiastical history more broadly.