In The Mother I Carry, acclaimed author of The Obsidian Mirror, Louise M. Wisechild, again eloquently explores her childhood and her journey to heal, this time focusing on her relationship with her emotionally abusive mother. Wisechild moves between her present life and her childhood memories to uncover her own emotional development at different ages beginning with infancy. Using therapy, creative expression, inner voices and bodywork, Wisechild shares her journey of change and personal empowerment. An eloquent and moving book for those wanting to explore their relationship with their mothers and also for those who want to better understand child development, emotional abuse and healing.

“A gorgeous memoir about mothers, daughters, and the tenacity of the love that grows between what is said and what is left unspoken.”—Mira Jacob, author of Good Talk If our family stories shape us, what happens when we learn those stories were never true? Who do we become when we shed our illusions about the past? Maya Shanbhag Lang grew up idolizing her brilliant mother, an accomplished physician who immigrated to the United States from India and completed her residency all while raising her children and keeping a traditional Indian home. Maya’s mother had always been a source of support—until Maya became a mother herself. Then the parent who had once been so capable and attentive became suddenly and inexplicably unavailable. Struggling to understand this abrupt change while raising her own young child, Maya searches for answers and soon learns that her mother is living with Alzheimer’s. Unable to remember or keep track of the stories she once told her daughter—stories about her life in India, why she immigrated, and her experience of motherhood—Maya’s mother divulges secrets about her past that force Maya to reexamine their relationship. It becomes clear that Maya never really knew her mother, despite their close bond. Absorbing, moving, and raw, What We Carry is a memoir about mothers and daughters, lies and truths, receiving and giving care, and how we cannot grow up until we fully understand the people who raised us. It is a beautiful examination of the weight we shoulder as women and an exploration of how to finally set our burdens down. Praise for What We Carry "Part self-discovery, part family history. . . [Lang's] analysis of the shifting roles of mothers and daughters, particularly through the lens of immigration, help[s] to challenge her family’s mythology. . . . Readers interested in examining their own family stories . . . will connect deeply with Lang’s beautiful memoir."—Library Journal (Starred Review) “A stirring memoir exploring the fraught relationships between mothers and daughters . . . astutely written and intense . . . [What We Carry] will strike a chord with readers.”—Publishers Weekly “Lang is an immediately affable and honest narrator who offers an intriguing blend of revelatory personal history and touching insight.”—BookPage

I Carry My Mother is a book-length cycle of poems that explores a daughter's journey through her mother's illness and death. From diagnosis through yahrtzeit (one-year anniversary), the narrator grapples with what it means to lose a mother. The poems, written in a variety of forms (sonnet, pantoum, villanelle, sestina, terza rima, haiku, and others) are finely crafted, completely accessible, and full of startling, poignant, and powerful imagery. These poems will resonant with all who have lost a parent, relative, spouse, friend, or anyone whom they dearly love. In a passionate book, Lesléa Newman chronicles her mother's dying and the phases of her own grieving. She fuses an unsparing realism with lyrical intensity, in honest, direct, clear language, in mostly rhymed stanzas. The pages seem to tremble with an accurate description of changing emotional states, all born of the closeness, humor, and love in the mother-daughter relationship. -Naomi Replansky, author of The Dangerous World and Collected Poems. After the introductory poem I thought 'oh dear, I'm going to cry my way through the whole thing.' And then, the exquisite first-rate poetry-using forms like triolet and rondeau-took me to a much deeper place than tears can possibly reveal. This is a very beautiful book. -Judy Grahn, author of A Simple Revolution: The Making of an Activist Poet. Throughout her long career, Lesléa Newman has distinguished herself by diving deep into the essentials of life and delivering them with a light touch. The poems in her new collection, I Carry My Mother, are both light and dark. They are small rituals that draw us closer to the child within, revealing the complex love between a vivacious mother and an independent daughter. Each verse is a spiritual chant; each line is a lyric glistening with grief. -Jewelle Gomez, author ofThe Gilda Stories and Oral Tradition. Using forms inspired by poets ranging from Wallace Stevens to Dr. Seuss, from Sir Philip Sidney to Elizabeth Bishop, Lesléa Newman's heartfelt poems are a loving tribute to her mother. The poems move back and forth between precise images of her mother in life-"her tiny feet/Her toenails painted candy-apple red," -and images of her mother as she dies-"a tiny, mottled lump of clay." I Carry My Mother allows us to look into a deeply personal portrait of a mother and daughter who are so much alike that when the daughter looks into the mirror, "my mother stares back." In the dedication, Newman writes, "may her memory be a blessing." These poems evoke and preserve those memories, showing how love lives on after death. -Ellen Bass, author ofLike a Beggar and The Human Line

When seventeen-year-old Victoria Parker is suddenly placed into foster care, she struggles to find words for the abuse that upended her life. Determined to keep her head down, stay out of trouble, and graduate on time, Victoria soon realizes that no matter how hard she tries to move forward, the trauma in her past won’t leave her alone.

A New York Times essayist shares her journey from a self-destructive college student to a devoted family woman and teacher while illuminating the importance of trusting in a higher power and being truthful about life's challenges.

“Powered by insight and true wit.” —Meg Wolitzer, New York Times bestselling author of The Female Persuasion “I can’t remember the last time I was as completely bewitched by a fictional character as I was by Bea Seger . . . What a treat to view life through the eyes of this funny, smart, gutsy woman.” —Richard Russo, author of Empire Falls and Chances Are... Bea Seger has spent a lifetime running from her childhood. The daughter of a famous photographer, she and her brothers were the subjects of an explosive series of images in the 1960s known as the Marx Nudes. Disturbing and provocative, the photographs shadowed the family long past the public outcry and media attention. Now, decades later, both the Museum of Modern Art and Hollywood have come calling, eager to cash in on Bea’s mother’s notoriety. Twice divorced from but still entangled with aging rock star Gary Going, Bea lives in Manhattan with her borrowed dog, Dory, and sort-of sister, Echo. After years of avoiding her past, Bea must make a choice: let the world in—and be compensated for the trauma of her childhood—or leave it all locked away in a storage unit forever. Carry the Dog sweeps readers into Bea’s world as the little girl in the photographs and the woman in the mirror meet at the blurry intersection of memory and truth, vulnerability and resilience.

On a hot July night on Cape Cod, at the age of 14, Brodeur became a confidante to her mother's affair with her husband's closest friend. Malabar came to rely on her daughter to help, but when the affair had calamitous consequences for everyone involved, Brodeau was driven into a precarious marriage of her own, and then into a deep depression. In her memoir she examines how the people close to us can break our hearts simply because they have access to them, and the lies we tell in order to justify the choices we make. -- adapted from jacket