Lucy and Ernessa have become inseparable. Ernessa’s taken her over. She’s consuming her. What I saw wasn’t real. And I know it wasn’t a dream. Ernessa is a vampire. At an exclusive girls’ boarding school, a sixteen-year-old girl records her most intimate thoughts in a diary. The object of her growing obsession is her roommate, Lucy Blake, and Lucy’s friendship with their new and disturbing classmate. Ernessa is an enigmatic, moody presence with pale skin and hypnotic eyes. Around her swirl dark rumors, suspicions, and secrets as well as a series of ominous disasters. As fear spreads through the school and Lucy isn’t Lucy anymore, fantasy and reality mingle until what is true and what is dreamed bleed together into a waking nightmare that evokes with gothic menace the anxieties, lusts, and fears of adolescence. And at the center of the diary is the question that haunts all who read it: Is Ernessa really a vampire? Or has the narrator trapped herself in the fevered world of her own imagining?

The Moth Wing Diaries is a photographic narrative addressing themes of memory, providence, revival and dreams, by native Texan photographer Lori Vrba. Vrba's surreal landscapes and portraiture are "deeply personal and focus on self-discovery and family" and explore the artist's sense of conflict and ultimate peace with the Southern terrain.--L'Oeil de la Photographie Lori Vrba is a native Texan now residing in Chapel Hill, North Carolina. She is a self-taught artist committed to film and the traditional wet darkroom. She has shown her work internationally to great acclaim. Vrba considers the exhibition and installation as an extension of the aesthetic and narrative components of her imagery. Recent examples of her unique voice in presentation include "Piano Farm", New Orleans, LA 2010 and "Southern Comfort", Atlanta, GA 2011. Her work is held in the permanent collections of the Lishui Museum of Photography, China and the Museum of Fine Arts Houston, as well as private collections throughout the world.

During the phony war that preceded the invasion of France, between late 1939 and the summer of 1940, the young Jean-Paul Sartre was stationed in his native Alsace as part of a meteorological unit. He used his considerable periods of spare time, between mundane duties like watching weather balloons, to make a series of notes on philosophy, literature, politics, history and autobiography that anticipate the themes of his later masterpieces, and often surpass them in literary verve and directness. These War Diaries form a portrait of Sartre in his most intense and brilliant phase. With them the twentieth century's most remarkable and public philosopher has provided us with a fitting posthumous monument to his honest and creativity.

The moth snowstorm, a phenomenon Michael McCarthy remembers from his boyhood when moths “would pack a car’s headlight beams like snowflakes in a blizzard,” is a distant memory. Wildlife is being lost, not only in the wholesale extinctions of species but also in the dwindling of those species that still exist. The Moth Snowstorm is unlike any other book about climate change today; combining the personal with the polemical, it is a manifesto rooted in experience, a poignant memoir of the author’s first love: nature. McCarthy traces his adoration of the natural world to when he was seven, when the discovery of butterflies and birds brought sudden joy to a boy whose mother had just been hospitalized and whose family life was deteriorating. He goes on to record in painful detail the rapid dissolution of nature’s abundance in the intervening decades, and he proposes a radical solution to our current problem: that we each recognize in ourselves the capacity to love the natural world. Arguing that neither sustainable development nor ecosystem services have provided adequate defense against pollution, habitat destruction, species degradation, and climate change, McCarthy asks us to consider nature as an intrinsic good and an emotional and spiritual resource, capable of inspiring joy, wonder, and even love. An award-winning environmental journalist, McCarthy presents a clear, well-documented picture of what he calls “the great thinning” around the world, while interweaving the story of his own early discovery of the wilderness and a childhood saved by nature. Drawing on the truths of poets, the studies of scientists, and the author’s long experience in the field, The Moth Snowstorm is part elegy, part ode, and part argument, resulting in a passionate call to action.

A major literary event—the long-awaited publication of George Orwell's diaries, chronicling the events that inspired his greatest works. This groundbreaking volume, never before published in the United States, at last introduces the interior life of George Orwell, the writer who defined twentieth-century political thought. Written as individual books throughout his career, the eleven surviving diaries collected here record Orwell’s youthful travels among miners and itinerant laborers, the fearsome rise of totalitarianism, the horrific drama of World War II, and the feverish composition of his great masterpieces Animal Farm and 1984 (which have now sold more copies than any two books by any other twentieth-century author). Personal entries cover the tragic death of his first wife and Orwell’s own decline as he battled tuberculosis. Exhibiting great brilliance of prose and composition, these treasured dispatches, edited by the world’s leading Orwell scholar, exhibit “the seeds of famous passages to come” (New Statesman) and amount to a volume as penetrating as the autobiography he would never write.

Alabama, 1856. Tennessee Rose is a dark bay Tennessee Walking Horse with a rose-shaped marking on her forehead. She loves dashing around the plantation in the running walk that her breed is famous for, then coming back to her comfortable stall and her friend Levi, the slave boy who is her groom. But as the Civil War approaches, Rosie begins to question plantation life. Is slavery fair? Could Levi be free? Like Black Beauty, this moving novel is told in first person from the horse's point of view and includes an appendix full of photos and facts about Tennessee Walking Horses and the Civil War.

When he turned sixty-five, playwright Simon Gray began to keep a diary in which he reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Bringing together the four parts of The Smoking Diaries (The Smoking Diaries, The Year of the Jouncer, The Last Cigarette, and Coda) this beautiful volume is filled with comedy and serious reflection, sharp observation and painful self-disclosure. A brilliant and moving account of life's unsteady progress, it takes the reader to the heart of one man's brilliant struggle towards some kind of personal truth.