S. J. Perelman (1904-1979) was probably the funniest American writer of the 20th century. He was a master of word-play and a cultural parodist without equal. Marshall Brickman wrote in eulogy to Perelman: "His genius defies criticism. He was the maestro, nonpareil, incomparable, beyond interpretation. As he himself once said, 'Before they made Perelman, they broke the mold.'"

Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces--Perelman called them feuilletons--his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including Perelman's parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; and a selection of letters written to correspondents such as Groucho Marx and Paul Theroux.

Entering the warped world of SJ Perelman - the Marx brothers' greatest scriptwriter, amongst other things - is a unique comic experience. A satirist and parodist, his celebrated sketches lampoon the screaming absurdities of modern life and bring succour to that most persecuted minority of all: the embattled sane. The undoubted star of these sketches is Perelman's own put-upon fictional persona: all he craves is a little peace and quiet, yet he is continually pushed closer to the edge by those sent to try him. Written mainly for the New Yorker magazine, the sketches in this volume are a brand new selection of some of his finest pieces, many of which have been unavailable for decades. This collection covers every decade in which he wrote from the '30s to the '70s. His subversive wit seems as fresh today as it did when it first appeared and to many he is quite simply the most original and funniest humorist of the twentieth century.

Interviews with the author of Baby, It's Cold Outside; Chicken Inspector #23; and Crazy Like a Fox