As the global war on terror enters its second decade, the United States military is engaged with militant Islamic insurgents on multiple fronts. But the post-9/11 war against terrorists is not the first time the United States has battled such ferocious foes. The forgotten Moro War, lasting from 1902 to 1913 in the islands of the southern Philippines, was the first confrontation between American soldiers and their allies and a determined Muslim insurgency. The Moro War prefigured American wars in Iraq and Afghanistan more than superficially: It was a bitter, drawn-out conflict in which American policy and aims were fiercely contested between advocates of punitive military measures and proponents of conciliation. As in today's Middle East, American soldiers battled guerrillas in a foreign environment where the enemy knew the terrain and enjoyed local support. The deadliest challenge was distinguishing civilians from suicidal attackers. Moroland became a crucible of leadership for the U.S. Army, bringing the force that had fought the Civil War and the Plains Indian Wars into the twentieth century. The officer corps of the Moro campaign matured into the American generals of World War I. Chief among them was the future general John Pershing-who learned lessons in the island jungles that would guide his leadership in France. Rich with relevance to today's news from the Middle East, and a gripping piece of storytelling, The Moro War is a must-read to understand a formative conflict too long overlooked and to anticipate the future of U.S. involvement overseas.

On March 16, 1978 Aldo Moro, former Italian Prime Minister, was ambushed in Rome. Within three minutes the gang killed all five members of his escort and bundled Moro into one of three getaway cars. An hour later the Red Brigades announced that Moro was in their hands; on March 18 they said he would be tried in a 'people's court of justice'. Seven weeks later Moro's body was discovered in the boot of a Renault parked in the crowded centre of Rome. In The Moro Affair, Leonardo Sciascia - a master of detective fiction - untangles the real-life events of these crucial weeks and provides a unique insight into the dangerous world of Italian politics in the 1970s.

Kin to the Wind is the memoir of Moro, a gifted virtuoso guitarist and composer, who first played (and wrote his first composition) when he was six and performed his first of many concerts when he was twelve. The book recounts his journeys as he traveled the world as a troubadour, using only his guitar performances as currency. This talented former member of the world-famous New Christy Minstrels played in over 50 countries—in royal palaces, African casbahs, and even on a British warship in trade for his passage across the Indian Ocean. Bedouin smugglers took him across the Arabian Desert in their camel caravan, listening to his music beneath desert stars. While he was in Bangkok giving a command performance for Their Majesties King Bhumibol and Queen Sirikit of Thailand, the U.S. military invited him to play for the troops at their jungle camps. And he became the first entertainer to perform for American forces in the Vietnam conflict. He was also the first entertainer to appear at Paul Newman's famous 1960s exclusive Hollywood discotheque, THE FACTORY, where he played nightly. He followed that with an engagement at Howard Hughes' CABARET ROOM in Las Vegas where Mr. Hughes personally came to hear him. An Italian duchess who found him performing with a street-dancing flamenco troupe of gypsies in 1961 assisted him in obtaining a visa for Algeria where he then toured—during the violent Seven Years' War—and S.A.O. terrorists captured and held him. He played for them, literally for his life, whereupon they gave him money and let him go. Moro's memoir is an account of life's magic, suffused with an almost childlike innocence in his pursuit of dreams and his belief in the goodness of people the world over.

An investigation into the possibility of impossible languages, searching for the indelible “fingerprint” of human language. Can there be such a thing as an impossible human language? A biologist could describe an impossible animal as one that goes against the physical laws of nature (entropy, for example, or gravity). Are there any such laws that constrain languages? In this book, Andrea Moro—a distinguished linguist and neuroscientist—investigates the possibility of impossible languages, searching, as he does so, for the indelible “fingerprint” of human language. Moro shows how the very notion of impossible languages has helped shape research on the ultimate aim of linguistics: to define the class of possible human languages. He takes us beyond the boundaries of Babel, to the set of properties that, despite appearances, all languages share, and explores the sources of that order, drawing on scientific experiments he himself helped design. Moro compares syntax to the reverse side of a tapestry revealing a hidden and apparently intricate structure. He describes the brain as a sieve, considers the reality of (linguistic) trees, and listens for the sound of thought by recording electrical activity in the brain. Words and sentences, he tells us, are like symphonies and constellations: they have no content of their own; they exist because we listen to them and look at them. We are part of the data.