What do you think of when you hear the word Leviathan? In Isaiah 27, Leviathan is described as a twisted serpent or dragon. Job 41 gives a lengthy description of the monster or beast. But no matter how I think of it or what form it may take, I always think of leviathan as hell—a place I have visited and never want to return to.Meet Ruth Zayak. At the age of three, Ruth had already experienced more in her short life than most children should at her young age. In her agonizing struggle through a life of neglect, as well as emotional, sexual, and physical abuse, Ruth had to make crucial actions and decisions to rid herself of the predator's grasp that had taken her life on a twisted and coiled journey. This book depicts how Ruth overcame all hardships—not allowing all the years of lies, mental imprisonment, shame, or even the loss of a child rule her life—and teaches others who may have been born out of abuse that they too can become free from all of the monsters in their lives. In this powerful true story, follow Ruth on her journey and discover for yourself how she wasDelivered from the Leviathan Monster.

Written during a moment in English history when the political and social structures were in flux and open to interpretation, Leviathan played an essential role in the development of the modern world.

Visionary proposals for a mythic and strange architecture—or anarchitecture—through which we can imagine other and better worlds. Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes. The Monster Leviathan gives students and lovers of architecture, as well as those hoping to construct a better, more sustainable, and socially just future, a set of tools through which they can imagine that such other worlds are possible. As Betsky eloquently articulates, anarchitecture already exists and does not exist at all. It is the myth of building, and all we have to do is find it.

After a rash of violent attacks throughout the Caribbean, marine biologist Kelly Andrews captures evidence of an unidentified predator in the Atlantic. Something unknown to science, something altogether new - or else something very old. Billionaire Oscar Wright also learns of the sea monster, which he considers to be the Biblical Leviathan. Driven mad by grief, the old man devotes his vast fortune to a personal vendetta aimed at killing the beast and harvesting its hide as a trophy. Two separate expeditions race across the ocean to find the animal. And when it's finally discovered, one thing becomes clear: humanity no longer tops the food chain.

With the creation of an unholy beast comes the end of the world in this diabolical thriller from the international bestselling author of Crux and Hunter. On an Icelandic Island, an illegal experiment intended to create the perfect biological weapon has transformed a once-innocent creature into the biblical Leviathan that once terrorized the world. Able to shatter steel and granite as easily as it can melt the strongest containment shields, Leviathan escapes from its pen and is loose in a vast underground chamber harboring soldiers and scientists. The installation cannot allow Leviathan to reach the surface. For if Leviathan reaches the world, it could well be the end of the Earth. They must hold the line, here, and destroy it . . . even if they must detonate a last-chance nuclear failsafe built into the chamber itself. But, first, they must fight with every weapon at their disposal to discover if the beast can be killed at all. It is a battle many will not survive. As soldiers and scientists are vaporized by Leviathan’s hellish flame, or ripped apart by the dragon’s claws and fangs, a lone electrical engineer is forced to join the fight. And in the midst of what might well be the last battle for Mankind, Connor must find a way—any way—to save his family and kill this powerful, bloodthirsty Beast of Legend that has never been killed before. Before it feasts upon the world. Praise for James Byron Huggins “Huggins writes like a man possessed.”—Steve Jackson, New York Times bestselling author “May be the thriller of the year.”—BookPage on Cain “Pure entertainment.”—Publishers Weekly on Hunter