Most people don't believe in monsters, but you know the truth. They're real, and it's your task to bring them down. This revised edition of Monster of the Week brings that adventure to life.Monster of the Week is a standalone action-horror RPG for 3-5 people. Hunt high school beasties a la Buffy the Vampire Slayer, travel the country to bring down unnatural creatures like the Winchester brothers of Supernatural, or head up the government investigation like Mulder and Scully.This book contains everything you need to tackle Bigfoot, collar a chupacabra, and drive away demons. In this revised edition, you'll find:

Two hundred years ago, Christopher planted an enchanted rose which began Fairyland Old, in the age when fairies ruled the entire magical realm in harmony with the creatures of the woods and the monsters who dwelled there. That is, until the greed of the monsters drove the fairies to banish them, in which the lands were divided to become Fairyland and Monsterland. Now Kay and Rob, two adventurous friends, make their way into the forest and eat magical berries that whisk them away to the wondrous world. But, why are they there? What is the purpose? They soon uncover the deep secrets of the land hidden within the pages of two ancient books; the Book of Fairies and the Book of Monsters. Yet one book remains, the Lost Book, which fell away and was thought to be gone forever. But, who has the Lost Book? What awaits within it? Kay and Rob question this and more. What power does the precious Rainbow Crystal hold and even more importantly, who is the famed Christopher that the books foretell of? Answers are found through a journey of self discovery by the children and the simple act of believing in themselves and others leads them to the truth.

Two hundred years ago, Christopher planted an enchanted rose which began Fairyland Old, in the age when fairies ruled the entire magical realm in harmony with the creatures of the woods and the monsters who dwelled there. That is, until the greed of the monsters drove the fairies to banish them, in which the lands were divided to become Fairyland and Monsterland. Now Kay and Rob, two adventurous friends, make their way into the forest and eat magical berries that whisk them away to the wondrous world. But, why are they there? What is the purpose? They soon uncover the deep secrets of the land hidden within the pages of two ancient books; the Book of Fairies and the Book of Monsters. Yet one book remains, the Lost Book, which fell away and was thought to be gone forever. But, who has the Lost Book? What awaits within it? Kay and Rob question this and more. What power does the precious Rainbow Crystal hold and even more importantly, who is the famed Christopher that the books foretell of? Answers are found through a journey of self discovery by the children and the simple act of believing in themselves and others leads them to the truth.

There might be Monsters at your game! Do you ever wonder how kids feel when parents get "too" into a game? The sideline is sometimes a scary place. This book is fun, whimsical, and has a good message for everyone that likes to play or attend sporting events. Enjoy!

The characters from "Monsters University" compete in the Monster Games.

A study of the gruesome game characters we love to beat—and what they tell us about ourselves. Since the early days of video games, monsters have played pivotal roles as dangers to be avoided, level bosses to be defeated, or targets to be destroyed for extra points. But why is the figure of the monster so important in gaming, and how have video games come to shape our culture’s conceptions of monstrosity? To answer these questions, Player vs. Monster explores the past half-century of monsters in games, from the dragons of early tabletop role-playing games and the pixelated aliens of Space Invaders to the malformed mutants of The Last of Us and the bizarre beasts of Bloodborne, and reveals the common threads among them. Covering examples from aliens to zombies, Jaroslav Švelch explores the art of monster design and traces its influences from mythology, visual arts, popular culture, and tabletop role-playing games. At the same time, he shows that video games follow the Cold War–era notion of clearly defined, calculable enemies, portraying monsters as figures that are irredeemably evil yet invariably vulnerable to defeat. He explains the appeal of such simplistic video game monsters, but also explores how the medium could evolve to present more nuanced depictions of monstrosity.