The first English-language book to present a complete picture of this intriguing East European borderland, The Moldovans: Romania, Russia, and the Politics of Culture, illuminates the perennial problems of identity politics and cultural change that the country has endured.

It doesn't take much - "£100 is usually sufficient" - to persuade Tony Hawks to take off on notoriously bizarre and hilarious adventures in response to a bet. And so it is, a pointless argument with a friend concludes in a bet - that Tony can't beat all eleven members of the Moldovan soccer team at tennis. And with the loser of the bet agreeing to strip naked on Balham High Road and sing the Moldovan national anthem, this one was just too good to resist. The ensuing unpredictable and often hilarious adventure sees him being taken in by Moldovan gypsies and narrowly avoid kidnap in Transnistria. It sees him smuggle his way on to the Moldovan National Team coach in Coleraine and witness (almost) divine intervention in the Holy Land. In this inspiring and exceptionally funny book, Tony Hawks has done it again, proving against all odds that there is no reason in the world why you can't do something a bit stupid and prove all of your doubters wrong. Or at least that was the idea....

The first English-language book to present a complete picture of this intriguing East European borderland, "The Moldovans: Romania, Russia, and the Politics of Culture, " illuminates the perennial problems of identity politics and cultural change that the country has endured.

Who are the Moldovans? The Language of the Moldovans explores this question from the perspective of debates about the languages spoken by the people of this ex-Soviet state. Locating language as a central point of both cohesion and conflict in the region's recent history, the peculiarities of the Moldovans are illustrated by a survey of language attitudes, a series of ethnographic interviews, and extensive observations by the author. The result is an image of an emerging nation that is, at once, similar to the experiences of other ex-Soviet states and uniquely complex. Much of that complexity lies in the population's extensive multilingualism and in uncertainty about the Romanian-ness of the official language. This cross-discipline volume is of great interest to advanced students and researchers of linguistics, political science, and Eastern European studies.

Who are the Moldovans? The Language of the Moldovans explores this question from the perspective of debates about the languages spoken by the people of this ex-Soviet state. Locating language as a central point of both cohesion and conflict in the region's recent history, the peculiarities of the Moldovans are illustrated by a survey of language attitudes, a series of ethnographic interviews, and extensive observations by the author. The result is an image of an emerging nation that is, at once, similar to the experiences of other ex-Soviet states and uniquely complex. Much of that complexity lies in the population's extensive multilingualism and in uncertainty about the Romanian-ness of the official language. This cross-discipline volume is of great interest to advanced students and researchers of linguistics, political science, and Eastern European studies.

Stephen Henighan, a Romanian grammar book and hours of language tapes under his belt, billets with a family as an English teacher in Moldova, a country born from the dismantling of Romania during World War II. As a Westerner in this "lost province" and former Soviet republic, Henighan feels he’s an unnerving disappointment for many Moldovans, especially to the MTV-addicted, twenty-year-old Andrei.

Villages on Stage examines the contribution of folklore and ethnography to the construction of national identity in post-Soviet Moldova through the development of a new genre of folkloric performance. By highlighting the contribution of villages to the creation of national culture and identity, the standards of authenticity for amateur folkloric ensembles generate an alternative discourse to the State's official, but contentious, promotion of multiethnic policies. At once inclusive and exclusive of the country's multiple ethnic groups, the goals, practices, and ideologies embodied in folkloric performance portray both the local dilemmas of post-socialist nation-building and the shared challenge for folklore and ethnography to participate in public debates about cultural diversity. (Series: Halle Studies in the Anthropology of Eurasia - Vol. 26)