In the predecessor to this book, The Universal Vampire: Origins and Evolution of a Legend, Brodman and Doan presented discussions of the development of the vampire in the West from the early Norse draugr figure to the medieval European revenant and ultimately to Dracula, who first appears as a vampire in Anglo-Irish Bram Stoker’s novel, Dracula, published in 1897. The essays in that collection also looked at the non-Western vampire in Native American and Mesoamerican traditions, Asian and Russian vampires in popular culture, and the vampire in contemporary novels, film and television. The essays in this collection continue that multi-cultural and multigeneric discussion by tracing the development of the post-modern vampire, in films ranging from Shadow of a Doubt to Blade, The Wisdom of Crocodiles and Interview with the Vampire; the male and female vampires in the Twilight films, Sookie Stackhouse novels and TrueBlood television series; the vampire in African American women’s fiction, Anne Rice’s novels and in the post-apocalyptic I Am Legend; vampires in Japanese anime; and finally, to bring the volumes full circle, the presentation of a new Irish Dracula play, adapted from the novel and set in 1888.

For vampire Blaine Kettridge, the cold, dark nuclear winter is the beginning of a new life--he can hunt and feed whenever he pleases, because it is always night

Vampires are back - and this time they want to be us, not drain us. This collection considers the recent phenomena of Twilight and True Blood, as well as authors such as Kim Newman and Matt Haig, films such as The Breed and Interview with the Vampire, and television programmes such as Being Human and Buffy the Vampire Slayer.

Desmond Beckwith is not a happy man. A financial wizard with an international investment empire, he's also in love with his lifelong-but-straight friend Roger. At forty-five, in spite of a circle of supportive friends and an elegant New York townhouse full of antiques, he feels isolated and cut off from humankind. And with good reason. Desmond Beckwith is a two-hundred-fifty-year-old vampire. For nearly two centuries he has lived in New York, looking vainly for love and seeking to satisfy his twin thirsts for blood and sex in those places where men of his kind have always met to find release and solace. Into Desmond's sheltered, lonely world stumbles Tony Chapman, an unemployed museum curator, down on his luck and one step away from being out on the streets. Brutalized by the unforgiving nature of New York City, Tony is on the edge of despair when he meets this darkly handsome older man in the smoky dimness of a Greenwich Village bar. To their mutual astonishment, Tony proceeds to turn Desmond's protected little world on its head, and to unlock pieces of Desmond's past lives and loves that were deeply buried in Desmond's memory.

This book explores the modern world of vampirism. Based on interviews, it looks at the many expressions of vampirism, from lifestyle vampires, who adopt the culture and admire the gothic image, to 'real' vampires who believe they are a separate race and need to consume blood and psychic energy in order to survive.

In blood-soaked lore handed down the centuries, the vampire is a monster of endless fascination: from Bram Stoker’s Dracula to Buffy the Vampire Slayer, this seductive lover of blood haunts popular culture and inhabits our darkest imaginings. The cultural history of the vampire is a rich and varied tale that is now ably documented in From Demons to Dracula, a compelling study of the vampire myth that reveals why this creature of the undead fascinates us so. Beresford’s chronicle roams from the mountains of Eastern Europe to the foggy streets of Victorian England to Hollywood, as he investigates the portrayal of the vampire in history, literature, and art. Opening with the original Dracula, Vlad the Impaler, and his status as a national hero in Romania, he endeavors to winnow out truths from the complex legend and folklore. From Demons to Dracula tracks the evolution of the vampire as an icon and supernatural creature, drawing on classical Greek and Roman myths, witch trials and medieval plagues, Gothic literature, and even contemporary works such as Anne Rice’s Interview with a Vampire and Elizabeth Kostova’s The Historian. Beresford also looks at the widespread impact of screen vampires from television shows, classic movies starring Bela Lugosi and Christopher Lee, and more recent films such as Underworld and Blade. Whether as a demon of the underworld or a light-fearing hunter of humans, the vampire has endured through the centuries, the book reveals, as powerfully symbolic figure for human concerns with life, death, and the afterlife. A wide-ranging and engrossing chronicle, From Demons to Dracula casts this blood-thirsty nightstalker as a remarkably complex and telling totem of our nightmares, real and imagined.

Vampires are hot in the YA market. Year after year, there's a new crop of successful novels, TV shows, and movies. This book, tongue firmly in cheek, addresses the teen who wants to be a vampire, or secrets hopes that he or she already is--with fashion, dating, and lifestyle tips for the 21st century bloodsuckers (hint: capes are so last millennium). Written for the teen who loves vampires and secretly wants to be one (or suspects they may already have been bitten), this stylish, humorous guide gives a history of the vampire myth, to-do lists of movies to watch and places to visit, and all-important fashion and makeup tips for the aspiring vampire.