The Modern Creation Trilogy is the culmination of decades of study of the classic confrontation between evolution and creation. Authors Henry Morris and John Morris (president of the Institute for Creation Research) detail the case for Biblical creationism. Book One: Scripture and Creation; Book Two: Science and Creation; Book Three: Society and Creation.

Volume two outlines in thorough but understandable fashion other scientific evidence for recent special creation, with no reference to Scripture.

Volume-III "Society & Creation" is a thoroughly new and highly relevant treatment of societal ills. This book records the rotten history of evolution, from Babel to modern America.

Volume two outlines in thorough but understandable fashion other scientific evidence for recent special creation, with no reference to Scripture.

Human beings need creation stories. Each culture has one, and is defined in part by its unique explanation of how things came to be. Despite the many differences in the creation stories of various cultures, each seems to serve much the same purpose: to answer questions about humanity's role in the larger whole. The people of the United States are no exception. Since the late-19th century, however, the country as a whole has not been able to agree on a common creation story. Part of the discord stems, of course, from the growing cultural and religious diversity of the USA. But Karl W. Giberson and Donald A. Yerxa explain that most of it flows from the reality that Americans rely heavily on two competing, very distinct, worldviews: modern naturalistic science and traditional Judeo-Christian religions. The interplay of these two ideals is at the base of America's ongoing search for its origins. Giberson and Yerxa delve into this search and America's diverse creation myths, myths that the authors dub the species of origins.

This book is the second part of a major project of comparative theology begun with Religion and Revelation (Clarendon Press, 1994), which looks at major concepts of faith in all four of the main scriptural religions of the world. In Religion and Creation, the author explores the idea of a creator God in the work of twentieth century writers from Judaism, Islam, Hinduism, and Christianity. He develops a positive concept of God which stresses God's dynamic and responsive relation to the temporal structure of the universe, and the importance of that structure to the self-expression of the divine being. Professor Ward goes on to present a Trinitarian doctrine of creation, drawing inspiration from a wider set of theistic traditions and recent discussions in physics in the realm of cosmology.