This book provides an overview of the major theoretical issues and themes which have emerged from the engagement of anthropologists with South-East Asian communities.

Bringing together over thirty years of detailed ethnographic research on the Menraq of Malaysia, this fascinating book analyzes and documents the experience of development and modernization in tribal communities. Descendents of hunter-gatherers who have inhabited Southeast Asia for about 40,000 years, the Menraq (also known as Semang or Negritos) were nomadic foragers until they were resettled in a Malaysian government-mandated settlement in 1972. Modernity and Malaysia begins with the ‘Jeli Incident’ in which several Menraq were alleged to have killed three Malays, members of the dominant ethnic group in the country. Alberto Gomes links this uncharacteristic violence to Menraq experiences of Malaysian-style modernity that have left them displaced, depressed, discontented, and disillusioned. Tracing the transformation of the lives of Menraq resulting from resettlement, development, and various ‘civilizing projects’, this book examines how the encounter with modernity has led the subsistence-oriented, relatively autonomous Menraq into a life of dependence on the state and the market. Challenging conventional social scientific understanding of concepts such as modernity and marginalization, and providing empirical material for comparison with the experience of modernity for indigenous peoples around the world, Modernity and Malaysia is a valuable resource for students and scholars of anthropology, development studies and indigenous studies, as well as those with a more general interest in asian studies.

We live in a world populated not just by individuals but by figures, those larger-than-life people who in some way express and challenge our conventional understandings of social types. This innovative and collaborative work takes up the wide range of figures that populate the social and cultural imaginaries of contemporary Southeast Asia—some familiar only in specific places, others recognizable across the region and even globally. It puts forward a series of ethnographic portraits of figures that represent and give voice to something larger than themselves, offering a view into social life that is at once highly particular and general. They include the Muslim Television Preacher in Indonesia, Miss Beer Lao, the Rural DJ in Thailand, the Korean Soap Opera Junkie in Burma, the Filipino Seaman, and the Photo Retoucher in Vietnam. Figures of Southeast Asian Modernity brings together the fieldwork of over eighty scholars and covers the nine major countries of the region: Burma (Myanmar), Cambodia, Indonesia, Laos, Malaysia, the Philippines, Singapore, Thailand, and Vietnam. An introduction outlines important social transformations in Southeast Asia and key theoretical and methodological innovations that result from ethnographic attention to the study of key figures. Each section begins with an introduction by a country editor followed by short essays offering vivid and intimate portraits set against the background of contemporary Southeast Asia. The result is a volume that combines scholarly rigor with a meaningful, up-to-date portrayal of a region of the world undergoing rapid change. A reference bibliography offers suggestions for further reading. Figures of Southeast Asia Modernity is an ideal teaching tool for introductory classes to Southeast Asia studies, anthropology, and geography.

In a path-breaking series of essays the contributors to this collection explore the development of anthropological research in Asia. The volume includes writings on Japan, China, Taiwan, Korea, Malaysia and the Philippines.

This is a comprehensive introduction to the social and cultural anthropology of South-East Asia. It provides an overview of the major theoretical issues and themes which have emerged from the engagement of anthropologists with South-East Asian communities; a succinct historical survey and analysis of the peoples and cultures of the region. Most importantly the volume reveals the vitally important role which the study of the area has occupied in the development of the concepts and methods of anthropology: from the perspectives of Edmund Leach to Clifford Geertz, Maurice Freedman to Claude Levi-Strauss; Lauriston Sharp to Melford Spiro.

The Living House is a pioneering work by respected anthropologist Roxana Waterson that has become a classic in its field. It is first book of its kind to present a detailed picture of houses within the complex social and symbolic fabric of indigenous South-East Asian peoples. The main focus of the book is on Indonesia, but in tracing historical links between architectural forms across the region, it reveals a much wider field of inquiry--covering all of the Austronesian peoples and cultures extending as far afield as Madagascar, Japan and the Pacific islands to New Zealand and Hawaii. As it probes the centrally significant role of houses within South-East Asian social systems, The Living House reveals new insights into the kinship systems, gender symbolism and cosmological principles of the peoples who build them, ultimately uncovering fundamental themes concerning the concepts of life force and life processes inherent in all of these cultures. A vivid picture is produced of how people shape buildings and buildings shape people--how rules about layout and spatial usage impact social relationships. The book concludes with a consideration of present-day changes affecting the fates of indigenous cultures and architectures throughout the region. This book will be of tremendous interest to architects and historians, and anyone interested in the indigenous art and cultures of South-East Asia.

Cynthia Chou focuses upon the predicaments of the Orang Suku Laut or 'tribe of sea people', an indigenous people of Indonesia, in view of the challenges imposed upon them by the emergence of new borders on their maritime world.