Architectural modelmakers have long carried out their work hidden behind the scenes of architectural design, and in presenting a history of architectural modelmaking in Britain for the first time, this book casts a new light on their remarkable skills and achievements. By telling the story of the modelmakers who make architectural models rather than architects who commission and use them, this book seeks to celebrate their often-overlooked contribution to the success and endurance of the architectural model in Britain over the past one hundred and forty years. Drawing from extensive archival research and interviews with practicing and retired modelmakers, this book traces the complete history of architectural modelmaking in Britain from its initial emergence as a specialist occupation at the end of the nineteenth century through to the present day. It reveals the legacy of John Thorp, the first professional architectural modelmaker in Britain, who opened his business in London in 1883, and charts the lives and careers of the innovative and creative modelmakers who followed him. It examines the continually evolving materials, tools, and processes of architectural modelmaking and outlines the profound ideological, economic, and technological influences that have shaped the profession’s development. Illustrated with over one hundred photographs of architectural models from previously undocumented archives, this book will be of great interest to architectural modelmakers, academics, and historians, as well as anyone with an interest in architectural history and modelmaking.

Easy-to-learn techniques, arranged in order of difficulty, range from relatively simple models to complicated square-riggers. Starting with the construction of a half-hull ship model, the book advances to a whole-hull model and replicas of twelve vessels, with separate chapters on rigging, gear and furniture, and tools and materials.

Model-making: Materials and Methods focuses primarily on the wide variety of materials that can be employed to make models; those which have been favoured for a while and those which are relatively new. The book looks at how these materials behave and how to get the best out of them, then illustrates a range of relatively simple methods of building, shaping, modelling, surfacing and painting with them. Useful features of the book include: the different uses of models in various disciplines; the sequence of making; planning and construction, creating surfaces, painting and finishing; methods of casting, modelling and working with metals; step-by-step accounts of the making of specially selected examples; simple techniques without the need for expensive tools or workshop facilities; a 'Directory' of a full range of materials, together with an extensive list of suppliers. This book is intended for students of theatre production, art & architecture, animation and theatre/television set designers where accurate scale models are necessary, and is also of interest to anyone involved with the process of making forms in 3D and the challenge of making small-scale forms in general. Superbly illustrated with 185 colour photographs.

The Model as Performance investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment. The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.

The expert ship modeler offers a fully illustrated guide to building the RMS Titanic, with practical information applicable to models of any scale. The legendary British passenger liner RMS Titanic remains one of the most fascinating ships, posing unique challenges for modelmakers. This superb book contains all the information needed to build a highly accurate model, down to the tiniest details of the hull's rivets. Peter Davies-Garner takes readers through the process of building his own remarkable 18-foot model. Built to 1/48 scale, it was specially commissioned for a traveling exhibition in North America. Profusely illustrated with close-up photographs, detailed drawings, and numerous images of the actual ship, this volume also contains a complete set of plans considered to be the most accurate yet drawn.

The Star Trek Enterprise Model NCC 1701 began its journey in 1964 in my father's model shop, most of us had our first sighting of it in 1966 when it flew across out TV screen. No other cinematic vessel is nearly as famous and is still the most recognized and successful "starship" in history. It was donated by Paramount Studios to the National Air and Space Museum in Washington DC, where it will once again be on display for all its fans to view, in the summer of 2016. From Gene Roddenberry's imagination to Matt Jefferies ability to draw what was in Gene's head, to the Howard Anderson Co. for special effects, to my father's ability to read, decipher and construct from those blueline plans to what we see today, my father had a wonderfully specialized talent and this is his story to tell.