In this important contribution to Anglo-Saxon studies Dr Goldsmith presents a fully elaborated and documented interpretation of Beowulf based on the original theories which she has put forward in recent years and which have aroused considerable interest and controversy in scholarly circles. Her view of the poem as the product of a marriage of cultural traditions, a historical epic with allegorical significance, is developed in the context of a close analysis of the doctrinal and literary environment prevailing during the period A.D. 650-800, within which composition is placed. Dr Goldsmith seeks to show that the poem has a unified and coherent structure and in the process resolves many textual and interpretative problems of long standing. Beowulf is clearly seen as a serious work of art standing at the head of the vernacular tradition of allegorical poetry.

The most revered work composed in Old English, Beowulf is one of the landmarks of European literature. This handbook supplies a wealth of insights into all major aspects of this wondrous poem and its scholarly tradition. Each chapter provides a history of the scholarly interest in a particular topic, a synthesis of present knowledge and opinion, and an analysis of scholarly work that remains to be done. Written to accommodate the needs of a broad audience, A Beowulf Handbook will be of value to nonspecialists who wish simply to read and enjoy Beowulf and to scholars at work on their own research. In its clear and comprehensive treatment of the poem and its scholarship, this book will prove an indispensable guide to readers and specialists for many years to come.

This book argues that the Old English epic Beowulf is shaped by the poetic language which the poet inherited.

This book suggests that the Old English epic Beowulf was composed in the winter of 826-7 as a requiem for King Beornwulf of Mercia on behalf of Wiglaf, the ealdorman who succeeded him. The place of composition is given as the minster of Breedon on the Hill in Leicestershire (now Derbyshire) and the poet is named as the abbot, Eanmund. As well as pinpointing the poem's place and date of composition, Richard North raises some old questions relating to the poet's influences from Vergil and from living Danes. Norse analogues are discussed in order to identify how the poet changed his heroic sources while four episodes from Beowulf are shown to be reworked from passages in Vergil's Aeneid. One chapter assesses how the poem's Latin sources might correspond with what is known of Breedon's now-lost library while another seeks to explain Danish mythology in Beowulf by arguing that Breedon hosted a meeting with Danish Vikings in 809. This fascinating and challenging new study combines careful detective work with meticulous literary analysis to form a case that no future investigation will be able to ignore.

This collection of significant studies from the past 25 years of scholarship on Beowulf has been selected to represent the various approaches that have dominated Beowulf studies, and to illustrate the evolution of Old English literary criticism.

Discusses the characters, plot and writing of the epic poem involving the legendary hero Beowulf and his battle with the creature Grendel.

Readers of Beowulf have noted inconsistencies in Beowulf's depiction, as either heroic or reckless. Heroic Identity in the World of Beowulf resolves this tension by emphasizing Beowulf's identity as a foreign fighter seeking glory abroad. Such men resemble wreccan, "exiles" compelled to leave their homelands due to excessive violence. Beowulf may be potentially arrogant, therefore, but he learns prudence. This native wisdom highlights a king's duty to his warband, in expectation of Beowulf's future rule. The dragon fight later raises the same question of incompatible identities, hero versus king. In frequent reference to Greek epic and Icelandic saga, this revisionist approach to Beowulf offers new interpretations of flyting rhetoric, the custom of "men dying with their lord," and the poem's digressions.