Embark on a whimsical lunar journey with 'The Mischief-making Moonbeam,' an enchanting bedtime story picture book that will transport young readers to a world where the moon's magic knows no bounds. Follow Mia as she befriends a mischievous moonbeam that leads her on an adventure filled with playful surprises and sparkling secrets. In this delightful tale, children will be captivated by Mia's lunar escapades and the enchanting mysteries of the moon. From frolicking among moonbeams to discovering hidden treasures in lunar craters, readers will join Mia on a journey filled with wonder and imagination. Filled with charming illustrations and engaging storytelling, 'The Mischief-making Moonbeam' is the perfect bedtime story to spark imaginations and inspire dreams of lunar exploration. Ideal for ages 5-9, this magical book will ignite a love for the night sky and the mysteries it holds. Plus, inside the book, enjoy coloring pages featuring scenes from Mia's lunar adventure, as well as fun puzzles that will challenge young readers' minds and keep them entertained long after bedtime. Don't miss out on the fun! Add 'The Mischief-making Moonbeam' to your bedtime story collection today and let the magic of the moonbeam light up your dreams with joy and wonder.

Father Brown is not an ordinary detective. Father Brown is an ordinary parish priest with extra-ordinary common sense. He never goes looking for mysteries but mysteries always find him. Knowing the very heart of man, with all its weaknesses and wiles, he sees the truth where others are blinded by their own illusions. In these eight stories Fr Brown understands the oracle of the dog, identifies a ghost, discovers the source of a flying man's powers and much more...

A collection of 11 fairy tales about enchanted and magical creatures that do not appear to be duplicated anywhere else. Loretta Ellen Brady was an American author best known for this collection written in 1920.

"A novel in which a mystic named El Rami, a practitioner of the arts of healing drawn from the occult science of the ancient Egyptians, attempts to control and dominate the soul of a dead girl. El Rami travels from London to Syria where he meets a caravan in the desert with two ailing women in need of care and attention. He agrees to help, and he restores one, an old women, to health. The other, a young orphan girl called Lilith, succumbs to her illness and dies. El Rami practices his mysterious arts on Lilith in an attempt to demonstrate the existence of life after death. He administers an elixir that brings her body back to life, and returns to London with the breathing corpse of Lilith. He hides her in a room in his mansion for six years, and summoning all his powers succeeds in being able to summon her soul back to her body at will. The head of the Brotherhood of the Holy Cross of which El Rami was a member, Heliobas, arrives. Readers know him from The Romance of Two Worlds and Ardath. Heliobas is alarmed by El Rami's experiments, and tells him that he must release the girl and allow her to die. But El Rami is obsessed with the beautiful Lilith, and intends on making her his soulmate. Despite Lilith's pleas and warnings, as El Rami kisses her she crumbles to ashes in from of him. When El Rami recovers himself, he is taken to the Brotherhood's monastery in Cyprus, a mental wreck."--Synopsis from MarieCorelli.org.uk

Pinnacle 2000 New York filmmaker Morgan James is about to journey straight into the heart of a dark conspiracy, hidden deep in the mist-shrouded Maya rain forest of Central America, where a bizarre human experiment (including a baby factory) comes at a terrible price.In Vitro, Independent Film, Adoption, Fertility, Human Eggs, Guatemala, Peten, Maya, Mayan Pyramid, Vision Serp

A collection of the author's essays on the history and development of female identity from the 18th to the early 20th centuries. Throughout the book are woven themes which are constant in Castle's work: fantasy, hallucination, travesty, transgression and sexual ambiguity.

In 1790 came that "extraordinary outburst of passionate intelligence," Mary Wollstonecraft's reply to Edmund Burke's attack on the principles of the French Revolution entitled a "Vindication of the Rights of Men." In this pamphlet she held up to scorn Burke's defence of monarch and nobility, his merciless sentimentality. "It is one of the most dashing political polemics in the language," Mr. Taylor writes enthusiastically, "and has not had the attention it deserves. . . . For sheer virility and grip of her verbal instruments it is probably the finest of her works. Some of her sentences have the quality of a sword-edge, and they flash with the rapidity of a practised duellist. It was written at a white heat of indignation; yet it is altogether typical of the writer that, in the midst of the work, quite suddenly, she had one of her fits of callousness and morbid temper, and declared she would not go on. With great skill Johnson persuaded her to take it up again; and with equal suddenness her eagerness returned, and the book was finished and published before any one else could answer Burke."