A scholarly edition of The Miscellaneous Works of John Bunyan: The Poems by Graham Midgley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carceral metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a 'carceral imaginary' that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carceral imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home, or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.

John Bunyan (1628-88) lived and wrote through some of the most turbulent years of political, social, and religious change in British history from civil war, through Commonwealth and Protectorate to the Restoration. Imprisoned for unlicensed preaching as a Nonconformist, Bunyan turned to writing to sustain his pastoral mission and composed some of the best-known, and most critically acclaimed, seventeenth-century texts, from his intensely moving spiritual autobiography, Grace bounding to the Chief of Sinners, to the world famous allegory The Pilgrim's Progress. Bunyan's style fused vivid depiction of the everyday world of ordinary men and women with powerful narratives to dramatise his religious convictions. This accessible study of his life, times, and writing introduces all his key works within the contexts of their original moment and later international impact and argues that Bunyan is a writer whose work continues to reward readers of all ages, beliefs, and nationalities.

Katherine Calloway explores the relationship between science and religion through a wide-ranging selection of early modern English poets.

From John Bunyan's 'country rhimes' to rude chants about Manchester United, from Ted Hughes to Edward Lear, and from William Blake to the Taylor sisters, Morag Styles covers three hundred years of poetry with infectious enthusiasm and a keen critical eye. In this scholarly and fascinating book, she provides an informative account of the history of poetry written for children in Britain and America in the last three centuries. She analyses the major poets, genres and developments over this period, and traces the continuities between the past and the present. Styles asks fundamental questions which have often been left unanswered: What do we mean by children's poetry? Why did such a seemingly small number of women write poetry for children until recently? The author subscribes to the widest possible definition of poetry, and so the reader will find in this book hymns, songs, playground rhymes, raps and verse - whether trivial or profound. From the Garden to the Street will provoke, inform and entertain academics of children's literature, those who teach it in the classroom, and all of us who still take pleasure in the poetry of childhood.

Thomas Carlyle's history of the French Revolution captured the Victorian imagination with vivid pictures of a society in conflict. A rich, brilliant, and arresting book, it defined a crucial epoch in modern European history for generations of British readers. Nevertheless, The French Revolution has lost not only its general readership but also its academic audience, for it is not history as history is commonly practiced, and it is not literature as literature is commonly understood. Only in the past few decades has this difficult yet rewarding text moved back to the central position it deserves. In A Disimprisoned Epic, Mark Cumming elucidates the formal genesis of the French Revolution in Carlyle's literary criticism and reestablishes it as an epic experiment in literary form. He discusses specifically how The French Revolution combines the myths of epic with the facts of history; the nobility of tragedy with the grotesque absurdity of farce; the devotion of elegy with the dismissive rancor of satire; and the didactic clarity of emblem and allegory with the confusion of symbol, fragment, and phantasmagory. A Disimprisoned Epic will be useful to scholars and students of Carlyle and of Victorian British and American literature.

An analysis of the nature of apocalyptic and millennial beliefs that reveals concerns prominent in England in the early seventeenth century had not abated after 1660.