"The legend of Theophilus is translated into most European languages and appears in stained glass, sculpture, and manuscripts. Its colorful details of a man who sold his soul to the Devil, was saved by the Virgin, and became a model for Christians reveal the medieval period's deep fear of hell and the Devil and its high hopes in the Virgin and the Church. This is the first English translation of Gautier de Coinci's pre-Faustian version of the legend of Theophilus, presented in a facing page translation with the original Old French, along with a full introduction and notes"--

The legend of Theophilus is a widely disseminated medieval miracle story. A good man gives in to Vain Glory, sells his soul to the Devil, has a terrible crisis of conscience, and is saved by the Virgin. The story is translated into most European languages and appears in stained glass, sculpture, and manuscripts. Gautier de Coinci writes the longest version of the legend. Its colorful details reveal the medieval period's deep fear of hell and the Devil and its high hopes in the Virgin and the Church.

Frontcover -- Contents -- List of illustrations -- Acknowledgements -- Introduction -- 1 Homage to the Devil: ritual, writing, seal -- 2 The self as dissemblance -- 3 Intervention of the Virgin -- 4 Sacramental action and Neoplatonic exemplarism -- Conclusion -- Works cited -- Appendix: Image charts -- Illustrations -- General index -- Index of figures

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Medievalia et Humanistica Editorial Board and Submissions Guidelines

Bringing together thirteen leading art historians, Beyond the Yellow Badge seeks to reframe the relationship between European visual culture and the many changing aspects of the Christian majority’s negative conceptions of Jews and Judaism during the Middle Ages and early modern periods.

The figure of a knight on horseback is the emblem of medieval chivalry. Much has been written on the ideology and practicalities of knighthood as portrayed in medieval romance, especially Arthurian romance, and it is surprising that so little attention was hitherto granted to the knight's closest companion, the horse. This study examines the horse as a social indicator, as the knight's animal alter ego in his spiritual peregrinations and earthly adventures, the ups and downs of chivalric adventure, as well as the relations between the lady and her palfrey in romance. Both medieval authors and their audiences knew more about the symbolism and practice of horsemanship than most readers do today. By providing the background to the descriptions of horses and horsemanship in Arthurian romance, this study deepens the readers' appreciation of these texts. At the same time, critical reading of romance supplies information about the ideology and daily practice of horsemanship in the Middle Ages that is otherwise impossible to obtain from other sources, be it archaeology, chronicles or administrative documentation.