With our American Philosophy and Religion series, Applewood reissues many primary sources published throughout American history. Through these books, scholars, interpreters, students, and non-academics alike can see the thoughts and beliefs of Americans who came before us.

When Martin Provost comes out to his family, his parents accept him but, surprisingly, his twin sister does not. On his way home, Martin’s car is hit by a truck that crosses into his lane. He survives the accident, but barely -- he is unresponsive. Anthony Carsen is a widower trying to deal with his partner’s suicide. He lives near the scene of Martin’s accident and rushes to help, though he thinks he might be too late. Though Martin’s body is in a coma, his spirit is drawn to Anthony, and soon the two fall in love. But Martin’s isn’t the only presence in Anthony’s home, and soon other spirits make their presences known. Martin isn’t dead, but his life is fading fast. Can Anthony convince his spirit to return to his body? Will Anthony’s late partner leave him and Martin in peace to pursue their love? If the spirit is willing ...

"Does the ghost of Cyrus Thornheart exist? Or does he live in Olivia's imagination? Set in present-day Savannah, GA, in this ghost story for non-believers, only the reader knows for sure"--Provided by publisher.

What is the role of the will in believing the good news of the gospel? Why is there so much controversy over free will throughout church history? R. C. Sproul finds that Christians have often been influenced by pagan views of the human will that deny the effects of Adam's fall. In Willing to Believe, Sproul traces the free-will controversy from its formal beginning in the fifth century, with the writings of Augustine and Pelagius, to the present. Readers will gain understanding into the nuances separating the views of Protestants and Catholics, Calvinists and Arminians, and Reformed and Dispensationalists. This book, like Sproul's Faith Alone, is a major work on an essential evangelical tenet.

Rosie Fox is a liar. A really, really good liar. But when you're a stage psychic who's not actually psychic, you have to be. Then one night, while pretending to commune with the dead relatives and pets of her audience, Rosie makes a startling prediction - which tragically comes true. Suddenly she's trapped in a media frenzy, spearheaded by the impossibly handsome journalist Harry Blake, a man intent on kick-starting his stalled career by exposing Rosie as a fraud. Yet when his interest in her goes from professional to personal, she thinks she can trust him not to blow her cover - but maybe she's making a huge mistake.