A varied and spirited collection of work by the Mi’kmaq writers of Atlantic Canada, this volume brings together young and old and includes short stories, autobiography, poetry and personal essays. Valuable as a landmark of an ancient culture, The Mi’kmaq Anthology also delivers to a wide audience the wealth of creative talent within the Mi’kmaq community. Although many voices here are new to the reading public, this volume radiates with deep spirituality, social awareness, intellectual energy and a passionate concern for preserving the Mi’kmaq way of life.Authors include Don Julien, Lindsay Marshall, Murdena Marshall, Mary Louise Martin, Elsie Charles Basque, Shirley Kiju Kawi, Noel Knockwood, Helen Sylliboy, Marie Batiste, Theresa Meuse, Isabelle Knockwood, Katherine Sorbey, Daniel N. Paul, Sunset Rose Morris, Harold Gloade and Rita Joe.

These six stories were collected from the 1800s to 1900s. The author has reworked these ancient stories to make them more like the way they would have been told.

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. Each story includes a timeline of related historical events and a personal note from the author. Find cited sources and a select bibliography for further reading in the back of the book. The accompanying teacher guide includes curriculum charts and 12 lesson plans to help educators use the book with their students. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago.

Alex is attending her first Mi'kmaw spiritual gathering, or mawiomi. Though she is timid at first, older cousin Matthew takes her under his wing. Meeting Elders along the way, they learn about traditional Mi'kmaw culture: the sacred fire, drumming, tanning and moccasin decorating, basket- and canoe-making, and enjoy a Mi'kmaw feast. Most importantly, Alex finds her voice in the talking circle. With contemporary illustrations by the bestselling illustrator Art Stevens, The Gathering is an inclusive story that will educate and entertain Indigenous and non-Indigenous readers alike.

City of Toronto Book Award finalist Scarborough is a low-income, culturally diverse neighborhood east of Toronto, the fourth largest city in North America; like many inner city communities, it suffers under the weight of poverty, drugs, crime, and urban blight. Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighborhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education. And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father's mental illness; Sylvie, Bing's best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father. Scarborough offers a raw yet empathetic glimpse into a troubled community that locates its dignity in unexpected places: a neighborhood that refuses to be undone. Catherine Hernandez is a queer theatre practitioner and writer who has lived in Scarborough off and on for most of her life. Her plays Singkil and Kilt Pins were published by Playwrights Canada Press, and her children's book M is for Mustache: A Pride ABC Book was published by Flamingo Rampant. She is the Artistic Director of Sulong Theatre for women of color.

Matthew and his Auntie take Warren on his first trip to the coast to collect sweetgrass, a traditional Mi'kmaw medicine and valued smudging ingredient. Along the way, Warren learns about the many uses of sweetgrass, and how to pick it respectfully.