SERENA ROBINSON and TOBI DOYLE have been friends for sixteen years. Living next door to each other along the Ainsley River in South Carolina, they built sandcastles, played pirate ship, and collected shells virtually every day until a freak accident at the Robinson Phosphate Mine Company takes away someone near and dear to Tobi’s heart. From then on, Tobi’s mother, Mrs. Doyle, blames Serena’s father, Mr. Robinson and his thirst for money for her husband’s death. Serena and Tobi are torn apart by their parents’ animosities, and the lifelong friends must go their separate ways in a town devastated by a recent war. When Serena and Tobi witness the neighborhood apothecary DR. NATHAN TRASK lifting a limp body from his fishing boat, they don’t realize they will be forced back together in a life-or-death effort to save the mermaid, MARI-MORGAN, from Dr. Trask’s greedy plans. Serena has tried for years to convince Tobi that mermaids are real—her nanny ROSIE told her so—but he doesn’t believe. However, Tobi discovers that not only do mermaids exist, but they have magical charms that are almost impossible to resist. Serena may lose her best friend unless she can return the bewitching merwoman to the sea before she takes Tobi’s heart and soul to the bottom of the ocean.

Based on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected African American spirituals and tales. But after breaking several racial taboos of the time, he was publicly condemned, and it was only through mentoring such writers as Hervey Allen and DuBose Heyward that he was eventually welcomed back into the heart of the city. Today, the Charleston aesthetic, which mourned the loss of beauty in a modernizing South, is often overlooked in the study of Southern literature, but Bennett, through his extensive private correspondence and notes, offers insight into the forces that shaped this cultural movement. Restored to us in all his complexity and humor, Bennett is important for his own accomplishments, but also for providing a lens through which to view southern literary history and the complexities of a changing South.

Examines perceptions of the natural world in ideas and practices of African-descended communities in South Carolina from the colonial period to the twentieth century.

"Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text as well as SIRS From published reviews “This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . . The subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.”—CHOICE “International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . an excellent addition for academic, university, and large public libraries.”—Magazines for Libraries, 6th Edition

First Published in 1999. This is Volume III of a collection of Elizabethan and Jacobean journals from 1591 to and 1610 and includes an Elizabethan journal, being a record of those things most talked of during the years 1599–1603.

This set provides a detailed and intimate account of the Elizabethan and Jacobean World picture. The volumes vividly convey life as it was in the days of Shakespeare; King James; the first voyage to the West Indies; the Great Plague of 1603; the Gunpowder Plot; the Civil War, and the first impact of Galileo's discoveries. In compiling these volumes, G.B. Harrison undertook a massive trawl of original sources of British social and political history of the period. Each journal contains a chronology of key events of the period, unfolding as they would for contemporaries. This rare panorama of one of England's most colourful periods in history provides an essential background for enlightened reading of Elizabethan and Jacobean literature, offering as it does, crucial insights into influences affecting the literature and attitudes of the time.

The Enchanted Island Sherwood Tales of the Mermaid Tavern New Poems.