Acclaimed biographer Patricia Bosworth recalls her emotional coming of age in 1950s New York in this profound and powerful memoir, a story of family, marriage, tragedy, Broadway, and art, featuring a rich cast of well-known literary and theatrical figures from the period. From Bosworth—acclaimed biographer of Montgomery Clift, Diane Arbus, Marlon Brando, and Jane Fonda—comes a series of vivid confessions about her remarkable journey into womanhood. This deeply-felt memoir is the story of a woman who defied repressive 1950s conventions while being shaped by the notable men in her life. Born into privilege in San Francisco as the children of famous attorney Bartley Crum and novelist Gertrude, Patricia and her brother Bart Jr. lead charmed lives until their father’s career is ruined when he defends the Hollywood Ten. The family moves to New York, suffering greater tragedy when Bart Jr. kills himself. However, his loving spirit continues to influence Patricia as she fights to succeed as an actress and writer. Married and divorced from an abusive husband before she’s twenty, she joins the famed Actors Studio. She takes classes with Lee Strasberg alongside Marilyn Monroe, Paul Newman, and others; she works on Broadway opposite Paul Muni, Helen Hayes, and Elaine Stritch; Gore Vidal and Elia Kazan become her mentors. Her anecdotes of theatre’s Golden Age have never been told before. At the zenith of her career, about to film The Nun’s Story with Audrey Hepburn, Patricia faces a decision that changes her forever. The Men in My Life is about survival, achieving your goals, and learning to love. It’s also the story of America’s most culturally pivotal era, told through the lens of one insider’s extraordinary life.

Gornick on V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth and the intimate relationship between emotional damage and great literature. Vivian Gornick, one of our finest critics, tackled the theme of love and marriage in her last collection of essays, The End of the Novel of Love, a National Book Critics Circle Award finalist. In this new collection, she turns her attention to another large theme in literature: the struggle for the semblance of inner freedom. Great literature, she believes, is not the record of the achievement, but of the effort. Gornick, who emerged as a major writer during the second-wave feminist movement, came to realize that “ideology alone could not purge one of the pathological self-doubt that seemed every woman's bitter birthright.” Or, as Anton Chekhov put it so memorably: “Others made me a slave, but I must squeeze the slave out of myself, drop by drop.” Perhaps surprisingly, Gornick found particular inspiration for this challenge in the work of male writers—talented, but locked in perpetual rage, self-doubt, or social exile. From these men—who had infinitely more permission to do and be than women had ever known—she learned what it really meant to wrestle with demons. In the essays collected here, she explores the work of V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth. Throughout the book, Gornick is at her best: interpreting the intimate interrelationship of emotional damage, social history, and great literature.

The friendship between Mary and Nix had endured since childhood, a seemingly unbreakable bond, until the mid-1980s, when the two young women embarked on a summer vacation in Greece. It was a trip initiated by Nix, who had just learned that Mary had been diagnosed with a disease that would cut her life short and who was determined that it be the vacation of a lifetime. But by the time their visit to Greece was over, Nix had withdrawn from their friendship, and Mary had no idea why. Three years later, Nix is dead, and Mary returns to Europe to try to understand what went wrong. In the process she meets the first of many men that she will spend time with as she travels throughout the world. Through them she experiences not only a sexual awakening but a spiritual and emotional awakening that allows her to understand how the past and the future are connected and to appreciate the freedom to live life adventurously.

The world keeps taunting him as girlish but the fact is that, biologically, he is a boy. And, he is always attracted to guys. Is Laxmi both a man and a woman? Or, perhaps, neither a man nor a woman? The first inklings and stirrings of lust that Laxmi remembers came from noticing big, strong arms, the hint of a guy's moustache over his lips, billboards that advertised men's underwear. Laxmi found this puzzling initially. Was there a woman inside him who couldn't really express herself because of some last-minute mix-up that god did at the time of his birth? Struggling with such existential questions, Laxmi Narayan Tripathi, eminent transgender activist, awakens to her true self: She is Laxmi, a hijra. In this fascinating narrative Laxmi unravels her heart to tell the stories of the men-creators, preservers, lovers, benefactors, and abusers-in her life. Racy, unapologetic, dark and exceptionally honest, these stories open a window to a brave new world.

N 22 narratives, some of Canada's most acclaimed writers share stories, memories, insights, and revelations - from the comic to the tragic - about the first man in their lives. Complex, compelling, and unforgettable.

The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon

The veteran intelligence agent and former CIA director recalls the events, developments, and people of his career, describes the CIA's organization, workings, and procedures, and profiles famous and hazy world figures.