In the Dear John letter Daddy left for Mother and me, on a Saturday afternoon in early June 1996, on the inlaid Florentine table in the front entry of our house, which we found that night upon returning from a day spent in the crème-colored light of Neiman’s, Daddy wrote that he was leaving us because Mother was crazy, and because she’d driven me crazy in a way that perfectly suited her own insanity. In a memoir studded with delicious lines and unforgettable set pieces, Robert Leleux describes his East Texas boyhood and coming of age under the tutelage of his eccentric, bewigged, flamboyant, and knowing mother. Left high and dry by Daddy and living on their in-laws’ horse ranch in a white-pillared house they can’t afford, Robert and Mother find themselves chronically low on cash. Soon they are forced into more modest quarters, and as a teenaged Robert watches with hilarity and horror, Mother begins a desperate regimen of makeovers, extreme plastic surgeries, and finally hairpiece epoxies---all calculated to secure a new, wealthy husband. Mother’s strategy takes her, with Robert in tow, from the glamorous environs of the Neiman Marcus beauty salon to questionable surgery offices and finally to a storefront clinic on the wrong side of Houston. Meanwhile, Robert begins his own journey away from Mother and through the local theater’s world of miscast hopefuls and thwarted ambitions---and into a romance that surprises absolutely no one but himself. Written with a warmth and a wicked sense of fun that lighten even the most awful circumstances, The Memoirs of a Beautiful Boy is a sparkling debut.

Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.

No mystery is too challenging for the infamous detective Sherlock Holmes and his partner, Dr. Watson. Holmes is at his best when the job seems impossible—or just plain absurd. From cases involving a strange group for red-headed men to a missing thumb, Holmes uses his powers of observation and deduction to solve even the weirdest mysteries. Scottish author Sir Arthur Conan Doyle published his first twelve original Sherlock Holmes short stories as serials in the UK's Strand Magazine from 1891-1892. This unabridged collection of the stories is taken from the book form, originally published in 1892.

Begun in 1690, this diary of a forty-four-year-old German Jewish widow, mother of fourteen children, tells how she guided the financial and personal destinies of her children, how she engaged in trade, ran her own factory, and promoted the welfare of her large family. Her memoir, a rare account of an ordinary woman, enlightens not just her children, for whom she wrote it, but all posterity about her life and community. Gluckel speaks to us with determination and humor from the seventeenth century. She tells of war, plague, pirates, soldiers, the hysteria of the false messiah Sabbtai Zevi, murder, bankruptcy, wedding feasts, births, deaths, in fact, of all the human events that befell her during her lifetime. She writes in a matter of fact way of the frightening and precarious situation under which the Jews of northern Germany lived. Accepting this situation as given, she boldly and fearlessly promotes her business, her family and her faith. This memoir is a document in the history of women and of life in the seventeenth century.

A New York Review Books Original Victor Serge is one of the great men of the 20th century —and one of its great writers too. He was an anarchist, an agitator, a revolutionary, an exile, a historian of his times, as well as a brilliant novelist, and in Memoirs of a Revolutionary he devotes all his passion and genius to describing this extraordinary—and exemplary—career. Serge tells of his upbringing among exiles and conspirators, of his involvement with the notorious Bonnot Gang and his years in prison, of his role in the Russian Revolution, and of the Revolution’s collapse into despotism and terror. Expelled from the Soviet Union, Serge went to Paris, where he evaded the KGB and the Nazis before fleeing to Mexico. Memoirs of a Revolutionary recounts a thrilling life on the front lines of history and includes vivid portraits not only of Trotsky, Lenin, and Stalin but of countless other figures who struggled to remake the world. Peter Sedgwick’s fine translation of Memoirs of a Revolutionary was abridged when first published in 1963. This is the first edition in English to present the entirety of Serge’s book.

The elusive narrator of this beautifully written, complex, and powerfully disconcerting novel is the scion of a decayed aristocratic family from the farther reaches of the defunct Austro-Hungarian Empire. In five psychologically fraught episodes, he revisits his past, from adolescence to middle age, a period that coincides with the twentieth-century’s ugliest years. Central to each episode is what might be called the narrator’s Jewish Question. He is no Nazi. To the contrary, he is apolitical, accommodating, cosmopolitan. He has Jewish friends and Jewish lovers, and their Jewishness is a matter of abiding fascination to him. His deepest and most defining relationship may even be the strange dance of attraction and repulsion that throughout his life he has conducted with this forbidden, desired, inescapable, imaginary Jewish other. And yet it is just his relationship that has blinded him to–and makes him complicit in–the terrible realities his era. Lyrical, witty, satirical, and unblinking, Gregor von Rezzori’s most controversial work is an intimate foray into the emotional underworld of modern European history.

Tormented by shame and anger, Victor turns to the "unhallowed arts" that result in his misbegotten Creature, the vengeful fiend who will haunt Elizabeth's fatal wedding night.