This collaboration centres around a piece of the true cross, allegedly stained with the blood of Christ, which falls into the hands of an English knight, Geoffrey Mappestone, in 1100 at the end of the first crusade. The relic is said to be cursed &, after three inexplicable deaths, it finds its way to England in the hands of a thief.

1191. During excavation work at Glastonbury Abbey, an ancient leaden cross is discovered buried several feet below ground. Inscribed on the cross are the words: Hic iacet sepultus inclitus rex arturius... Here lies buried the renowned King Arthur. Beneath the cross are skeletal remains. Could these really be the remains of the legendary King Arthur and his queen, Guinevere? As the monks debate the implications of this extraordinary discovery, the bones disappear - spirited away by the mysterious Guardians, determined to keep the king's remains safe until the ancient legend is fulfilled and Arthur returns to protect his country in the hour of its greatest need. A missing right hand. A gang of ruthless bodysnatchers. Brother accused of killing brother. As the secret of the bones' hiding place is passed from generation to generation, those entrusted to safeguard Arthur's remains must withstand treachery, theft, blackmail and murder in order to keep the legend intact.

1154, Oseney Priory, Oxford. When the first performance of The Play of Adamends in tragedy, the author is compelled to pen a grim warning for the generations that follow: 'BEWARE THE SINS OF ENVY AND VAINGLORY, ELSE FOUL MURDER ENDS YOUR STORY' But his words are not heeded, and as the play is performed in many guises throughout the ages, bad luck seems to follow after those involved in its production. When a snow storm diverts two disparate parties of travellers to the busy market town of Carmarthen in the winter of 1199, an enigmatic stranger appears and requests to stage the play to alleviate tensions, but on the eve of the performance the actor chosen to play Cain is found dead. When the play is performed in the city of Ely in 1361, the townspeople fear the play has unleashed a demon upon the town after a gruesome discovery is made in the Cathedral. And from Shakespeare's London to war-time Surrey, no matter the time or the place, each production always seems to end in disaster. Perhaps it is simply the curse of thespian rivalry that is to blame. Or does the story of man's first murder somehow infect all who re-enact it?

In the spring of 1348, tales begin arriving in England of poisonous clouds fast approaching, which have overwhelmed whole cities and even countries, with scarcely a human being left. While some pray more earnestly and live yet more devoutly, others vow to enjoy themselves and blot out their remaining days on earth by drinking and gambling. And then there are those who hope that God's wrath might be averted by going on a pilgrimage. But if God was permitting his people to be punished by this plague, then it surely could only be because they had committed terrible sins? So when a group of pilgrims are forced to seek shelter at an inn, their host suggests that the guests should tell their tales. He dares them to tell their stories of sin, so that it might emerge which one is the best.That is, the worst ...

From its first arrival in Britain with the Norman forces of William the Conqueror, violence and revenge are the cursed sword's constant companions. From an election-rigging scandal in 13th century Venice to the battlefield of Poitiers in 1356, as the Sword of Shame passes from owner to owner in this compelling collection of interlinked mysteries, it brings nothing but bad luck and disgrace to all whoever possesses it.

The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. But then someone else pulls the sword out first. . . .

An in-depth guide to life in medieval England, including class, housing, spirituality, fashion, grooming, food, commerce, jobs, health, law, war, and more. Imagine you were transported back in time to Medieval England and had to start a new life there. Without mobile phones, ipads, internet, and social media networks, when transport means walking or, if you’re fortunate, horseback, how will you know where you are or what to do? Where will you live? What is there to eat? What shall you wear? How can you communicate when nobody speaks as you do and what about money? Who can you go to if you fall ill or are mugged in the street? However can you fit into and thrive in this strange environment full of odd people who seem so different from you? All these questions and many more are answered in this new guidebook for time-travelers: How to Survive in Medieval England. A handy self-help guide with tips and suggestions to make your visit to the Middle Ages much more fun, this lively and engaging book will help the reader deal with the new experiences they may encounter and the problems that might occur. Know the laws so you don’t get into trouble or show your ignorance in an embarrassing faux pas. Enjoy interviews with the celebrities of the day, from a businesswoman and a condemned felon, to a royal cook and King Richard III himself. Have a go at preparing medieval dishes and learn some new words to set the mood for your time-travelling adventure. Have an exciting visit but be sure to keep this book at hand. “Fun and creative. . . . If you want a handy guide to take on your journeys to the past or you just want a book to better understand the past, I highly suggest you read this book, “How to Survive in Medieval England” by Toni Mount.” —Adventures of a Tudor Nerd