There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The yearbook The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. The Medieval Chronicle is published in cooperation with the "Medieval Chronicle Society".

Alfonso X (1221–1284) reigned as king of Castile and León from 1252 until his death. Known to history as El Sabio, the Wise, or the Learned, his appreciation for science and the arts led him to sponsor a number of books on the history of Spain since its Roman settlement. Among them were the Cantigas de Santa Maria, a collection of over four hundred poems exalting his favorite patron saint, Mary, and chronicles of all the kings of Castile and León, Navarre, Aragón, and Portugal. Alfonso X died before his own life could be written. His was a reign fraught with political intrigue and double crosses, almost constant war and equally constant diplomacy, royal largesse and economic instability—all of which led to open revolt and efforts by Alfonso's own son to depose the king. It would be another sixty-some years before King Alfonso XI would commission Fernán Sánchez de Valladolid to write Cronica de Alfonso X to memorialize his great-grandfather. As Alfonso XI's trusted counselor, ambassador, diplomat, and legist, Fernán was an understandable choice, but in the centuries since, his convoluted prose has proven extremely difficult extremely difficult for scholars. Chronicle of Alfonso X is the first and only translation of the king's history. The original "clumsy Castilian" of Fernán Sánchez has now been transformed into literate and engaging English.

The priorities of medieval chroniclers and historians were not those of the modern historian, nor was the way that they gathered, arranged and presented evidence. Yet if we understand how they approached their task, and their assumption of God's immanence in the world, much that they wrote becomes clear. Many of them were men of high intelligence whose interpretation of events sheds clear light on what happened. Christopher Given-Wilson is one of the leading authorities on medieval English historical writing. He examines how medieval writers such as Ranulf Higden and Adam Usk treated chronology and geography, politics and warfare, heroes and villains. He looks at the ways in which chronicles were used during the middle ages, and at how the writing of history changed between the twelfth and fifteenth centuries.

Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised not only by historians, but also by students of medieval literature and linguistics and by art historians. The series The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society (medievalchronicle.org).

Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised not only by historians, but also by students of medieval literature and linguistics and by art historians. The series The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society (medievalchronicle.org).

New perspectives on and interpretations of the popular medieval genre of the universal chronicle.