The majority of native Yoruba speakers view the Ifa divination system as a form of dark magic, inconsequential shamanism or ritualistic fetish. Even some scholars of Ifa and its divination system have conveyed the impression that it is simply a primitive oracular instrument of narrative art that should be appreciated only for its poetic sublimity. The Ifa divination system has been greatly misconceived as a mere esoteric system, devoid of any form of technological information. This book, therefore, seeks to describe what the Ifa divination system truly is and to illustrate its pertinence beyond traditional divination and cultural-level information to modern technology. The author examines the process and structure of the Ifa divination system and highlights some of the elements of technological knowledge that are embedded in the Ifa divination system. In all, this book is both a lively introduction to some of the technological-level information in Ifa divination system and a concise reference for those who are interested in enhancing technological development within the context of the cultural knowledge of Ifa and its divination system.

This landmark volume compiled by Jacob K. Olupona and Rowland O. Abiodun brings readers into the diverse world of Ifá—its discourse, ways of thinking, and artistic expression as manifested throughout the Afro-Atlantic. Firmly rooting Ifá within African religious traditions, the essays consider Ifá and Ifá divination from the perspectives of philosophy, performance studies, and cultural studies. They also examine the sacred context, verbal art, and the interpretation of Ifá texts and philosophy. With essays from the most respected scholars in the field, the book makes a substantial contribution toward understanding Ifá and its role in contemporary Yoruba and diaspora cultures.

"The sacred texts of Ifa, repository of the accumulated wisdom of countless generations of Yoruba people, are an invaluable source not only for all students of African oral literature and Yoruba civilization, but also for future generations interested in the continuing vitality of Ifa divination and a Yoruba way of life and thought." —Henry Drewal This landmark study of Ifa, the most important and elaborate system of divination of the Yoruba people of Nigeria, remains a monumental contribution to scholarship in anthropology, folklore, religion, philosophy, linguistics, and African and African-American studies.

When it first came out, it was an instant classic. Awo has returned over 20 years later bringing insight and understanding to the divination process in the Ifa Tradition. This has been the foundation for many Awo in the United States and Latin America over the years. It has been said that every Awo needs to have this in his library. This work focuses on the foundational divination using obi ( 4 shell divination) and expanding into the full 16 odus that lay the foundation for Ifa practice. It includes instruction, interpretations, graphic pictures. prayers, along with an overview of the cosmology in divination and ancestor work in divination. It is designed for initiates and non initiates alike to begin the process of divination.

Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.

Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR