Colonel Katterfelto has lately returned to London. He departed America under something of a cloud ... of smoke, issuing from his Spiritual Laboratory, which the townsfolk of Wormcast, Arizona, marched upon with their flaming torches. This catastrophic conflagration caused considerable concern to the pious colonel, who had been engaged in the creation of 'Heaven's last and best gift to Mankind', The Mechanical Messiah. And he was, after all, being guided in this Great Work by holy angels, communicating to him through his monkey butler, Darwin. It is 1897, twelve years since The War of the Worlds and two since Worlds War Two*. The British Empire encompasses Mars, and an uneasy peace exists between the peoples of Venus, Jupiter and Earth. In London there are many marvels of the modern age to be experienced. Amongst these is The Electric Alhambra Music Hall, where crowds thrill to The Earl Grey Whistle Test, a musical extravaganza featuring such top turns as Hayward's Acrobatic Kiwis, The Travelling Formbys and the newly-arrived Colonel Katterfelto's Clockwork Minstrels. But all is far from well in old Whitechapel, where a monster is once more abroad in the night-time streets, committing hideous acts of murder. Can this be the return of Jack the Ripper, or has something altogether unearthly materialised to spread fear, panic and mayhem? Something Hellishly evil? Famed consulting detective Cameron Bell is already on the case, but it may take nothing less than the New Messiah Himself to save London, The Empire and all of the solar system from the impending apocalypse! 'Stark raving genius' Observer *See The Japanese Devil Fish Girl and other Unnatural Attractions.

An epic in four movements, this is the third book in Robert Rankin's highly acclaimed meta-Victorian series. Comparable to Pratchett or Douglas Adams, the Father of Far Fetched Fiction has pulled out all of the stops with this riotous tale of wicked women, a dangerous detective and Darwin the educated ape. Lord Brentford has a dream. To create a Grand Exposition that will showcase The Wonders of the Worlds and encourage peace between the inhabited planets of Venus, Jupiter and Earth. Ernest Rutherford has a dream. To construct a time ship, powered by the large hadron collider he has built beneath the streets of London. Cameron Bell is England's greatest detective and he, too, has a dream. To solve the crime of the century before it takes place, without blowing up any more of London's landmarks. Darwin is a monkey butler and he also has a dream. To end Man's inhumanity to Monkey and bring a little joy into the world. Lavinia Dharkstorrm has a dream of her own. Although hers is more of a nightmare. To erase Man and Monkey alike from the face of the Earth and to hasten in the End of Days. Then there is the crime-fighting superlady, all those chickens from the past and the unwelcome arrival of The Antichrist. Things are looking rather grim on planet Earth.

Presents articles on the horror and fantasy genres of fiction, including authors, themes, significant works, and awards.

The pickled Martian's tentacles are fraying at the ends and Professor Coffin's Most Meritorious Unnatural Attraction (the remains of the original alien autopsy, performed by Sir Frederick Treves at the London Hospital) is no longer drawing the crowds. It's 1895; nearly a decade since Mars invaded Earth, chronicled by H.G. Wells in THE WAR OF THE WORLDS. Wrecked Martian spaceships, back-engineered by Charles Babbage and Nikola Tesla, have carried the Queen's Own Electric Fusiliers to the red planet, and Mars is now part of the ever-expanding British Empire. The less-than-scrupulous sideshow proprietor likes Off-worlders' cash, so he needs a sensational new attraction. Word has reached him of the Japanese Devil Fish Girl; nothing quite like her has ever existed before. But Professor Coffin's quest to possess the ultimate showman's exhibit is about to cause considerable friction amongst the folk of other planets. Sufficient, in fact, to spark off Worlds War Two.

Reproduction of the original.

Bound with Beowulf, the Old English Wonders of the East, a catalogue of marvelous beings, describes the very creatures it depicts as ungefraegelicu (unheard of, inconceivable). Insistently, these representations, both visual and textual, provoke questions about the nature and possibility of representation itself. In doing so, they also destabilize the notion of scholarship as being able to provide final, concrete meanings, even as they suggest the possibility for other ways of approaching meanings, including the question of what it meant-and means-to be a monster, and thus to be human. Containing the first color facsimile of the Wonders, transcription, translation and extensive commentary, this volume should be of interest to students and scholars of Old English literature, Anglo-Saxon art, and monster studies. Book jacket.