Poet W. S. Merwin interweaves his own reminiscences with, "a chronicle of the lordly 12th-century bards who once ruled a world where kings were poets and poets kings."

From one of the world's most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize -- winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.

In 1945, Elsie C. Bechtel left her Ohio home for the tiny French commune of Lavercantière, where for nearly three years she cared for children displaced by the ravages of war. Bechtel’s diary, photographs, and letters home to her family provide the central texts of this study. From 1945 to 1948, she recorded her encounters with French society and her immersion in the spare beauty of rural France. From her daily work came passionate musings on the emotional world of human interactions and evocative observations of the American, Spanish, and French co-workers and children with whom she lived. As a volunteer with the Mennonite Central Committee (MCC), Bechtel was part of the war relief efforts of pacifist Quakers and Anabaptists. In France between 1939 and 1948, MCC programs distributed clothing, shared food, and sheltered refugee children. The work began in the far southwest of France but, by the time Bechtel completed her service in 1948, had moved to the Alsace region, where French Mennonites clustered. Bechtel’s writings emerged from a religious context that included much travel, but little reflection on the significance of that travel. Yet, religiously motivated travel—an old tradition in southwest France—shaped Bechtel’s life. The authors consider her experiences in terms of religious pilgrimage and reflect on their own pilgrimage to Lavercantière in 2006 for a reunion with some of the people marked by the broader effort that Bechtel joined. To understand Bechtel’s experiences and prose, the authors examined archival sources on MCC’s work in France, gathered oral and written narratives of participants, and researched other war relief efforts in Spain and France in the 1930s and 1940s. Drawing on these various contexts, the authors establish the complexity, but also the significance, of pilgrimage and humanitarian service as intercultural exchanges.

In this delightful hybrid of a book—part memoir and part travel journal—the bestselling author takes us deep into the mountains of Nepal with a trio of botanist friends in search of native Himalayan plants that will grow in her Vermont garden. Alighting from a plane in the dramatic Annapurna Valley, the ominous signs of Nepal's Maoist guerrillas are all around—an alarming presence that accompanies the travelers throughout their trek. Undaunted, the group sets off into the mountains with Sherpas and bearers, entering an exotic world of spectacular landscapes, vertiginous slopes, isolated villages, herds of yaks, and giant rhododendron, thirty feet tall. The landscape and flora and so much else of what Kincaid finds in the Himalaya—including fruit bats, colorful Buddhist prayer flags, and the hated leeches that plague much of the trip—are new to her, and she approaches it all with an acute sense of wonder and a deft eye for detail. In beautiful, introspective prose, Kincaid intertwines the harrowing Maoist encounters with exciting botanical discoveries, fascinating daily details, and lyrical musings on gardens, nature, home, and family. From the Trade Paperback edition.

The figure of the Troubadour combines the ideals of knighthood with the inspiration of the poet and musician and created a cultural explosion which influenced the whole course of Western art and civilisation. Burl traces the story from the birth of the first Troubadour in 1071 to the execution of the last Cathar Good Man in 1231 and the close of the distinctive southern French culture that had given rise to it. The tale incorporates the Crusades to the Holy Lands and the Albigensian Crusades through the Languedoc and the regular incursions from the English. In telling his story of the Troubadours and their song he brings to life the world of medieval Languedoc. The author is acknowledged as an authority on the Troubadours, one of the most evocative subjects in history.

Beginning with a vivid description of his wedding in the splendid medieval ceremonial chamber in Barcelona's city hall, Hughes launches into a lively account of the history, art, and architecture of the storied city. He tells of architectural treasures abounding in 14th-century Barcelona, establishing it as one of Europe's great Gothic cities, while Madrid was hardly more than a cluster of huts. The city spawned such great artists as Antoni Gaudi, Pablo Picasso, Joan Miro, Salvador Dali, and Pablo Casals. Hughes's deep knowledge of the city is evident—but it's his personal reflections of what Barcelona, its people, and its storied history and culture have meant to him over the decades that sets Barcelona the Great Enchantress apart from all others' books.

This book offers something entirely new: detailed scene-by-scene descriptions of the action and dancing of Giselle, Paquita, Le Corsaire, La Bayadère, and Raymonda, bringing the reader far closer to what the audience saw when the curtain went up on these five classic story ballets than has heretofore been possible. Drawing on archival documents, the authors show that these ballets were like today's pop entertainment: funnier, more violent, more spectacular, and with female characters far stronger than one might expect. This rigorously researched book fills huge gaps in dance history and is bound to be of interest to practitioners, scholars, and devotees of ballet and the arts.